A Guide to the Exhibition of English Medals — John Shaqi
A Guide to the Exhibition of English MedalsBritish Museum. Department of Coins and Medals
History
A Guide to the Exhibition of English Medals
British Museum. Department of Coins and Medals
Medals -- Great Britain
The undisputed accession of the House of Stuart to the English throne
and the peaceable reign of its first king limit the subjects for
medallic illustration. The medals of the reign of James are purely
personal, with few exceptions, such as the Gunpowder Plot (No. 45), and
the alliance between England, France, and the United Provinces, for
the protection of the latter against the power of Spain (Nos. 46—47).
The rest present us with several portraits of the King and of various
members of the royal family, and of leading personages, of whom are
the Marquis (afterwards Duke) of Buckingham, Richard Sackville Earl of
Dorset, Sir Thomas Bodley, founder of the public library at Oxford, and
others. There is also a series of royal badges, a species of memorial
which becomes much more general in the next reign. These are followed
by a selection of engraved portraits of royal personages and others by
Simon Passe, who excelled in this style of work.
There are no medals which indicate the early contest between Charles
I. and the Parliament, those which are issued before 1640 referring
for the most part to the royal family and to eminent persons, with
the exception of the Scottish coronation medals of 1633 and those
commemorating the settlement of the Dutch Fishery question in 1636.
After the Declaration of Parliament in 1642, when the country was
divided into two parties, a new era in its medallic history begins,
and medals are struck in extraordinary numbers. This continues during
the period of the Civil War, and, besides medals which record the
successes of both parties, there is a large number of Royalist and
Parliamentarian badges, with portraits of the generals and statesmen
on both sides. Fortunately, England at this time produced several
artists, whose works are fitted to take the first rank in the national
series. These artists were Thomas and Abraham Simon, who worked for the
Parliament, and Thomas Rawlins, who was in the service of the King.
The series of this reign ends with several examples of the badges worn
by those who sympathised with the royal cause and with a few medals
recording the King's death. With the period of the Commonwealth the
issue of royalist badges ceases, and for the next ten years the medals
are of the parliamentarian class. These consist of portrait medals
of the Protector, of his family, and of the leading statesmen and
generals, and also of military and naval rewards, for the most part
executed by the two Simons. The Dunbar medal (Nos. 149—150), which was
issued for distribution among those engaged in that battle, is the
first authorized military decoration known. It was struck by order of
the Parliament immediately after the engagement. Naval medals were also
issued on several occasions, the most important being those for Blake's
victories over the Dutch in 1653 (Nos. 155—158). The Commonwealth
series closes with several medals, English and Dutch, commemorating the
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