A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
No pain here, no dull empty hours, no fear of the past, no
fear of the future. These blessed mountains are so compactly
filled with God's beauty, no petty personal hope or experience
has room to be.... Perched like a fly on this Yosemite dome, I
gaze and sketch and bask, oftentimes settling down into dumb
admiration without definite hope of ever learning much, yet
with the longing, unresisting effort that lies at the door of
hope, humbly prostrate before the vast display of God's power,
and eager to offer self-denial and renunciation with eternal
toil to learn any lesson in the divine manuscript.--July 20,
1869.
To read Muir is to be in the presence not of a tranquil, chatty
companion like Burroughs, who saunters leisurely along the spring
meadows listening for the birds just arrived the night before and
comparing the dates of the hyla's first cry; it is rather to be with a
tempestuous soul whose units are storms and mountain ranges and mighty
glacial moraines, who strides excitedly along the bare tops of ragged
peaks and rejoices in their vastness and awfulness, who cries, "Come
with me along the glaciers and see God making landscapes!" One gets
at the heart of Muir in an episode like this, the description of a
terrific storm in the Yuba region in December, 1874:
The force of the gale was such that the most steadfast monarch
of them all rocked down to its roots with a motion plainly
perceptible when one leaned against it. Nature was holding high
festival, and every fiber of the most rigid giants thrilled
with glad excitement. I drifted on through the midst of this
passionate music and motion across many a glen, from ridge
to ridge; often falling in the lee of a rock for shelter, or
to gaze and listen. Even when the glad anthem had swelled to
its highest pitch, I could distinctly hear the varying tones
of individual trees--spruce, and fir, and pine, and leafless
oak. ... Toward midday, after a long, tingling scramble
through copses of hazel and ceanothus, I gained the summit of
the highest ridge in the neighborhood; and then it occurred
to me that it would be a fine thing to climb one of the trees
to obtain a wider outlook and get my ear close to the Æolian
music of its topmost needles.... Being accustomed to climb
trees in making botanical studies, I experienced no difficulty
in reaching the top of this one, and never before did I enjoy
so noble an exhilaration of motion. The slender tops fairly
flapped and swished in the passionate torrent, bending and
swirling backward and forward, round and round, tracing
indescribable combinations of vertical and horizontal curves,
while I clung with muscles firm braced, like a bobolink on a
reed.
Public-domain text, read in full here on John Shaqi.
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