A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
Refinement is not to be expected in political satires that came hot
from a period of prejudice and war, but the coarseness of the "Nasby"
letters goes beyond the bounds of toleration even in such writings.
They smack of the coarseness of the armies of the period. They reek
with whisky until one can almost smell it as one turns the pages. The
uncouth spelling simply adds to the coarseness; it adds nothing to the
reality of the characterization. There is an impression constantly that
the writer is straining for comic effect. He who is capable of such
diction as, "They can swear to each other's loyalty, which will reduce
the cost of evidence to a mere nominal sum," would hardly be guilty
of such spellings as "yeelded," "pekoolyer," and "vayloo," the last
standing for "value."
The effect of the letters in forming sentiment in the North at critical
periods was doubtless considerable, but such statements as the
much-quoted one of George S. Boutwell at Cooper Union that the fall of
the Confederacy was due to "three forces--the army, the navy, and the
Nasby letters"--must be taken with caution as too much colored by the
enthusiastic atmosphere in which it was spoken. Their enormous vogue,
however, no one can question. East and West became one as they perused
the remorseless logic of these patriotic satires. Strange as it may
seem to-day, great numbers of the earlier readers had not a suspicion
that "Nasby" of "Confedrit X Roads" was not as real a person even as
"Jeff" Davis. According to Major Pond, "one meeting of the 'faithful'
framed a resolution commending the fidelity to Democratic principles
shown in the Nasby letters, but urging Mr. Nasby, for the sake of
policy, not to be so outspoken."[22] In the presence of such testimony
criticism must be silent. Realism can have no greater triumph than that.
VI
Periods of prejudice and passion tend always to develop satirists.
The Civil War produced a whole school of them. There was "Bill Arp,"
the "Nasby" of the South, philosopher and optimist, who did so much
to relieve Southern gloom during the reconstruction era; there was
"Orpheus C. Kerr," who made ludicrous the office-seeking mania of the
times; and, greatest of them all, including even "Nasby," there was
Thomas Nast, who worked not with pen but with pencil.
Public-domain text, read in full here on John Shaqi.
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