A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
No sketch of American humor can ignore Nast. His art was constructive
and compelling. It led the public; it created a new humorous
atmosphere, one distinctively original and distinctively American.
Nast was the father of American caricature. It was he who first made
effective the topical cartoon for a leader; who first portrayed an
individual by some single trait or peculiarity of apparel; and who
first made use of symbolic animals in caricature, as the Tammany
tiger, the Democratic jackass, and the Republican elephant--all three
of them creations of Nast. His work is peculiarly significant. He
created a new reading public. Even the illiterate could read the
cartoons during the war period and the Tweed ring days, and it was
their reading that put an end to the evils portrayed. General Grant
when asked, "Who is the foremost figure in civil life developed by the
Rebellion?" replied instantly, "I think Thomas Nast. He did as much as
any one man to preserve the Union and bring the war to an end."[23]
VII
In all the humorous writings of the period there was a deep
undercurrent of wisdom. Ever since the days of Franklin, the typical
American has been a maker of aphorisms quaintly expressed. The man who
for years has wrestled with Nature on frontier or farm has evolved
a philosophy of his own. American life has tended to produce unique
individualities: "Sam Slicks," "Natty Bumppos," "Pudd'nhead Wilsons,"
"David Harums," and "Silas Laphams,"--men rich in self-gained wisdom,
who talk in aphorisms like Lincoln's, "Don't swap horses when you are
crossing a stream."
There has been evolved what may be called the American type of
aphorism--the concentrated bit of wisdom, old it may be, but expressed
in such a quaint and striking way as to bring surprise and laughter.
The humor may come from the homeliness of the expression, or the
unusual nature of the compared terms, or the ludicrous image brought
suddenly to the mind. Examples are easily found: "Flattery is like
kolone water, tew be smelt of, but not swallowed"; "It is better to be
a young June bug than an old bird of paradise"; "The man who blows his
own trumpet generally plays a solo"; and "A reasonable amount of fleas
is good fer a dog--keeps him from broodin' over bein' a dog."
Public-domain text, read in full here on John Shaqi.
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