A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
In such architecture as this, in which everything was designed to
serve the pleasures of the moment, there was no necessity for stone.
The solidity and durability of limestone, sandstone, and granite, were
required in the tomb, the eternal dwelling, or for the temples, the
homes of the gods. But the palace was no more than a pleasure marquee,
it required no material more durable than wood or brick. Painters and
sculptors were charged to cover its walls with lively colours and
smiling images; it was their business to decorate the stucco of the
walls, the planks of acacia, and the slender columns of cedar and
palmwood with the most brilliant hues on their palettes and with gold.
The ornamentation was as lavish as in the tombs, although in the
latter case it had a much better chance of duration. The palaces of
the Egyptian sovereigns were worthy of their wealth and power, but the
comparative slightness of their materials led to their early
disappearance, and no trace of them is left upon the soil of Egypt.
During the whole period of which we have any record, the East has
changed but little, in spite of the apparent diversity between the
successive races, empires, and religions which have prevailed in it.
We know how vast an array of servants and followers Oriental royalty
or grandeeship involves. The _konak_ of the most insignificant bey or
pacha shelters a whole army of servants, each one of whom does as
little work as possible. The domestics of the Sultan at
Constantinople, or of the Shah at Teheran, are to be counted by
thousands. No one knows the exact number of eunuchs, cooks, grooms,
and sweepers, of _atechdjis_, _cafedjis_, and _tchiboukdjis_, which
their seraglios contain. Such a domestic establishment implies an
extraordinary provision of lodgings of some sort, as well as an
extensive accumulation of stores. Great storehouses were required
where the more or less voluntary gifts of the people, the tributes in
kind of conquered nations, and the crops produced by the huge estates
attached to the Crown, could be warehoused. In the vast inclosures
whose arrangements are preserved for us by the paintings at
Tell-el-Amarna there was room for all these offices and granaries.
They were built round courtyards which were arranged in long
succession on all four sides of the principal building in which the
sovereign and his family dwelt. When, in the course of a long reign,
the family of the king became very numerous (Rameses II. had a hundred
and seventy children, fifty-nine of whom were sons), and it became
necessary to provide accommodation for them in the royal dwelling, it
was easy to encroach upon the surrounding country, and to extend both
buildings and gardens at will.
Public-domain text, read in full here on John Shaqi.
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