A History of Art in Ancient Egypt, Vol. 2 (of 2) — John Shaqi
A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Although the great inclosure at Karnak was spacious enough for its
purpose, the families of the Pharaohs would hardly have had elbow room
in it. They would soon have felt the restraint of the high and
impassable barriers insupportable, and the space within them too
narrow for their pursuits. The palaces of the East have always
required wider and more flexible limits than these. If we examine
their general aspect we shall find it the same from the banks of the
Ganges to those of the Bosphorus. The climate, the harem, and the
extreme subdivision of labour, gave, and still gives, a multiplex and
diffuse character to royal and princely dwellings; memories of Susa
and Persepolis, of Babylon and Nineveh, agree in this with the actual
condition of the old palaces at Agra, Delhi, and Constantinople. They
were not composed, like the modern palaces of the West, of a single
homogeneous edifice which can be embraced at a glance; they in no way
resembled the Tuileries or Versailles.[3] They consisted of many
structures of unequal importance, built at different times and by
different princes; their pavilions were separated by gardens and
courts; they formed a kind of royal village or town, surrounded and
guarded by a high wall. In that part of the interior nearest the
entrance there were richly-decorated halls, in which the sovereign
condescended to sit enthroned at stated times, to receive the homage
of his subjects and of foreign ambassadors. Around these chambers,
which were open to a certain number of privileged individuals, swarmed
a whole population of officers, soldiers, and servants of all kinds.
This part of the palace was a repetition on a far larger scale of the
_sélamlik_ of an Oriental dwelling. The _harem_ lay farther on, behind
gates which were jealously guarded. In it the king passed his time
when he was not occupied with war, with the chase, or with the affairs
of state. Between the buildings there was space and air enough to
allow of the king's remaining for months, or years if he chose, within
the boundary walls of his palace; he could review his troops in the
vast courtyards; he could ride, drive, or walk on foot in the shady
gardens; he could bathe in the artificial lakes and bath-houses.
Sometimes even hunting-grounds were included within the outer walls.
[3] The contrast between the palaces of the East and Versailles
is hardly so strong as M. Perrot seems to suggest. The curious
assemblage of buildings of different ages and styles which forms
the eastern _façade_ of the dwelling of Louis XIV. does not
greatly differ in essentials from the confused piles of Delhi or
the old Seraglio.--ED.
Public-domain text, read in full here on John Shaqi.
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