A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
These facilities and easy pleasures have always been a dangerous
temptation for Oriental princes. A long list might be formed of those
dynasties which, after beginning by a display of singular energy and
resource, were at last enfeebled and overwhelmed in the pleasures of
the palace. By those pleasures they became so completely enervated
that at last a time came when the long descended heir of a line of
conquerors was hurled from his throne by the slightest shock. The
tragic history of Sardanapalus, which has inspired so many poets and
historians, is a case in point. Modern criticism has attacked it
ruthlessly; names, dates, and facts have all been placed in doubt; but
even if the falsehood of every detail could be demonstrated, it would
yet retain that superior kind of truth which springs from its general
applicability--a truth in which the real value of the legend consists.
Almost all the royal dynasties of the East ended in a Sardanapalus,
for he was nothing more than the victim of the sedentary and luxurious
existence passed in an Oriental palace.
If we knew more about the internal history of Egypt, we should
doubtless find that such phenomena were not singular in that country.
The Rammesides must have owed their fall and disappearance to it. The
Egyptian palace cannot have differed very greatly from the type we
have described, all the characteristic features of which are to be
recognised in those edifices which have hitherto been called
villas.[4] There was the same amplitude of lateral development. We
have not space to give a restoration of the most important of the
"villas" figured at Tell-el-Amarna in its entirety; but we give enough
(Fig. 4) to suggest the great assemblage of buildings, which, when
complete, must have covered a vast space of ground (Fig. 5). By its
variety, by its alternation of courts and gardens with buildings
surrounded here by stone colonnades, there by lighter wooden
verandahs, this palace evidently belongs to the same family as other
Oriental palaces of later times. Within its wide _enceinte_ the
sovereign could enjoy all the pleasures of the open country while
living either in his capital or in its immediate neighbourhood; he
could satisfy all his wishes and desires without moving from the spot.
[4] NESTOR L'HÔTE--a fine connoisseur, who often divined facts
which were not finally demonstrated until after his visit to
Egypt--also received this impression from his examination of the
remains at Tell-el-Amarna: "Details no less interesting make us
acquainted with the general arrangement ... of the king's
palaces, the porticos and propylæa by which they were
approached, the inner chambers, the store-houses and offices,
the courts, gardens, and artificial lakes; everything, in fact,
which went to make up the royal dwelling-place." _Lettres
écrites d'Égypte_ (in 1838-9; 8vo, 1840); pp. 64-65.
Public-domain text, read in full here on John Shaqi.
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