A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
[31] HERODOTUS (ii. 95) says that they did so in the marshy
parts of Lower Egypt.
[32] It is difficult to say what the artist meant by the little
oblong mark under these windows. Perhaps it represents an
outside balcony by which the window could be reached either for
the purposes of inspection or in order to add to the store
within.
[Illustration: FIG. 25.--Brewing, Beni-Hassan; from Champollion, pl.
398.]
[Illustration: FIG. 26.--Granaries, Beni-Hassan; from Wilkinson.]
[Illustration: FIG. 27.--Granaries; Sakkarah.]
The Egyptians had country houses as well as those in town, but the
structural arrangements were the same in both. The dwelling of the
peasant did not differ very greatly from that of the town-bred
artisan, while the villas of the wealthy were only distinguished from
their houses in the richer quarters of Thebes and Memphis by their
more abundant provision of shady groves, parks, and artificial lakes.
Their paintings prove conclusively that the Egyptians had carried
horticulture to a very high pitch; they even put their more precious
trees in pots like those in which we place orange-trees.[33]
[33] These trees must have been planted in large terra-cotta
pots, such as are still used in many places for the same
purpose.
§ 4. _Military Architecture._
The Ancient Egyptians have left us very few works of military
architecture, and yet, under their great Theban princes, more than one
fortress must have been built outside their own country to preserve
their supremacy over neighbouring peoples. In the later periods of the
empire fortresses were erected in the Delta and in the upper gorges
of the Nile, but, unfortunately such works were always carried out in
brick and generally in crude brick. The Egyptian architect had at hand
in great abundance the finest materials in the world, except marble,
and yet they were used by him exclusively for the tomb and the temple.
When it was a question of providing an indestructible dwelling for the
dead, and so of perpetuating the efficacy of the funeral prayers and
offerings, "eternal stone" was not spared; but when less important
purposes had to be fulfilled they were content with clay. Baking
bricks was a more rapid process than quarrying and dressing stone, and
if the house or fortress in which they were used had comparatively
slight durability, it was easy enough to replace it with another.
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