A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Th crude bricks, dried simply in the sun, became disintegrated with
time and fell into powder; the kiln dried bricks were carried off from
the ruins of one building to be used in another. The few piers or
fragments of wall which remain are confused and shapeless. A few
blocks of stone, sometimes even a single chip of marble, is enough to
enable us to tell the history of a building which has been long
destroyed. Such a chip may be the only surviving fragment of the
edifice to which it belonged, but it preserves the impression of the
chisel which fashioned it, that is of the taste and individuality of
the artist who held the chisel. We have nothing of the kind in the
case of a brick. Bricks were almost always covered with a coat of
stucco, so that nothing was required of them beyond that they should
be of the right size and of a certain hardness. It is only by their
inscriptions, when they have them, that the dates of these bricks can
be determined; when they are without them they tell us nothing at all
about the past. Sometimes a brick structure presents, from a distance,
an imposing appearance, and the traveller approaches it thinking that
he will soon draw all its secrets from it. But after carefully
studying and measuring it he is forced to confess that he has failed.
It has no trace of decoration, and it is the decoration of an ancient
building which tells us its age, its character, and its purpose.
Stone, even when greatly broken, allows mouldings to be traced, but
bricks preserve nothing; they are as wanting in individual expression
as the pebbles which go to make a shingly beech.
Even if it had come down to us in a less fragmentary condition, the
military architecture of Egypt would have been far less interesting
than that of Greece. The latter country is mountainous; the soil is
cut up by valleys and rocky hills; the Greek towns, or, at least,
their citadels, occupied the summits of rocky heights which varied
greatly in profile and altitude. Hence the military architecture of
the country showed great diversity in its combinations. In Egypt the
configuration of the soil was not of a nature to provoke any efforts
of invention or adaptation. All the cities were in the plain.
Fortified posts were distinguished from one another only by the
greater or less extent, height, and thickness of their walls. We
shall, however, have to call attention to the remains of a few
defensive works which, like those established to guard the defiles of
the cataracts, were built upon sites different enough from those
ordinarily presented by the Nile valley. In these cases we shall find
that the Egyptian constructors knew how to adapt their military
buildings to the special requirements of the ground.
Public-domain text, read in full here on John Shaqi.
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