A history of art in Chaldæa & Assyria, Vol. 1 (of 2) — John Shaqi
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
[39] MASPERO, _Histoire ancienne_, p. 134. Upon the etymology of
_Turanians_ see MAX MUeLLER'S _Science of Language_, 2nd edition, p. 300,
_et seq._ Upon the constituent characteristics of the Turanian group of
races and languages other pages of the same work may be consulted.... The
distinction between Turan and Iran is to be found in the literature of
ancient Persia, but its importance became greater in the Middle Ages, as
may be seen by reference to the great epic of Firdusi, the _Shah-Nameh_.
The kings of Iran and Turan are there represented as implacable enemies. It
was from the Persian tradition that Professor Mueller borrowed the term
which is now generally used to denote those northern races of Asia that are
neither Aryans nor Semites.
[40] This family is sometimes called _Ural-Altaic_, a term formed in
similar fashion to that of _Indo-Germanic_, which has now been deposed by
the term Aryan. It is made up of the names of two mountain chains which
seem to mark out the space over which its tribes were spread. Like the word
_Indo-Germanic_, it made pretensions to exactitude which were only
partially justified.
[41] This is the opinion of M. OPPERT. He was led to the conclusion that
their writing was invented in a more northern climate than that of Chaldaea,
by a close study of its characters. There is one sign representing a bear,
an animal which does not exist in Chaldaea, while the lions which were to be
found there in such numbers had to be denoted by paraphrase, they were
called _great dogs_. The palm tree had no sign of its own. See in the
_Journal Asiatique_ for 1875, p. 466, a note to an answer to M. Halevy
entitled _Summerien ou rien_.
[42] MASPERO, _Histoire ancienne_, p. 135.
[43] These much disputed terms, Sumer and Accad, are, according to MM.
Halevy and Guyard, nothing but the geographical titles of two districts of
Lower Chaldaea.
Sec. 4.--_The Wedges._
The writing of Chaldaea, like that of Egypt, was, in the beginning, no more
than the abridged and conventionalized representation of familiar objects.
The principle was identical with that of the Egyptian hieroglyphs and of
the oldest Chinese characters. There are no texts extant in which images
are exclusively used,[44] but we can point to a few where the ideograms
have preserved their primitive forms sufficiently to enable us to recognize
their origin with certainty. Among those Assyrian syllabaries which have
been so helpful in the decipherment of the wedges, there is one tablet
where the primitive form of each symbol is placed opposite the group of
strokes which had the same value in after ages.[45]
This tablet is, however, quite exceptional, and, as a rule, the cuneiform
characters cannot thus be traced to their primitive form. But
well-ascertained and independent facts allow us to come to certain
conclusions which even this scanty evidence is enough to confirm.
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