A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
fragments are still found among the ruins of Lower Chaldaea.
Even in the remote days that saw the most venerable of these inscriptions
cut, the images upon which their forms were based had been rendered almost
unrecognizable by a curious habit, or caprice, which is unique in history.
Writing had not yet become entirely _cuneiform_, it had not yet adopted
those triangular strokes which are called sometimes nails, sometimes
arrow-heads, and sometimes wedges, as the exclusive constituents of its
character. If we examine the tablets recovered by Mr. Loftus from the ruins
of Warka, the ancient Erech (Fig. 1), or the inscriptions upon the diorite
statues found at Tello by M. de Sarzec (Fig. 2), we shall find that in the
distant period from which those writings date, most of the characters had
what we may call an unbroken trace.[47] This trace, like that of the
hieroglyphs, would have been well fitted for the succinct imitation of
natural objects but for a rigid exclusion of those curves of which nature
is so fond. This exclusion is complete, all the lines are straight, and cut
one another at various angles. The horror of a curve is pushed so far that
even the sun, which is represented by a circle in Egyptian and other
ideographic systems, is here a lozenge.
[Illustration: FIG. 1.--Brick from Erech.]
It is very unlikely that even the oldest of these texts show us Chaldaean
writing in its earliest stage. Analogy would lead us to think that these
figures must at one time have been more directly imitative. However that
may have been, the image must have been very imperfect from the day that
the rectilinear trace came into general use. Figures must then have rapidly
degenerated into conventional signs. Those who used them could no longer
pretend to actually represent the objects they wished to denote. They must
have been content to suggest their ideas by means of a character whose
value had been determined by usage. This transformation would be
accelerated by certain habits which forced themselves upon the people as
soon as they were finally established in the land of Shinar.
[Illustration: FIG. 2.--Fragment of an inscription engraved upon the back
of a statue from Tello. Louvre. (Length 10-1/4 inches.)]
Public-domain text, read in full here on John Shaqi.
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