A history of art in Chaldæa & Assyria, Vol. 1 (of 2) — John Shaqi
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
During nearly half a century, from about 1060 to 1020 B.C., Babylon seems
to have recovered the upper hand. The victories of her princes put an end
to what is called the FIRST ASSYRIAN EMPIRE. But after one or two
generations a new family mounted the northern throne, and, toiling
energetically for a century or so to establish the grandeur of the
monarchy, founded the SECOND ASSYRIAN EMPIRE. The upper country regained
its ascendency by the help of military institutions whose details now
escape us, although their results may be traced throughout the later
history of Assyria. From the tenth century onwards the effects of these
institutions become visible in expeditions made by the armies of Assyria,
now to the shores of the Persian Gulf or the Caspian, and now through the
mountains of Armenia into the plains of Cappadocia, or across the Syrian
desert to the Lebanon and the coast cities of Phoenicia. The first princes
whose figured monuments--in contradistinction to mere inscriptions--have
come down to us, belonged to those days. The oldest of all was
ASSURNAZIRPAL, whose residence was at CALACH (_Nimroud_). The bas-reliefs
with which his palace was decorated are now in the Louvre and the British
Museum, most of them in the latter.[67] They may be recognized at once by
the band of inscription which passes across the figures and reproduces one
text again and again (Fig. 4). To Assurnazirpal's son SHALMANESER III.
belongs the obelisk of basalt which also stands in the British Museum. Its
four faces are adorned with reliefs and with a running commentary engraved
with extreme care.[68]
[Illustration: FIG. 4.--Genius in the attitude of adoration. From the
North-west Palace at Nimroud. Louvre. Drawn by Saint-Elme Gautier.]
Shalmaneser was an intrepid man of war. The inscriptions on his obelisk
recall the events of thirty-one campaigns waged against the neighbouring
peoples under the leadership of the king himself. He was always victorious,
but the nations whom he crushed never accepted defeat. As soon as his back
was well turned they flew to arms, and again drew him from his repose in
the great palace which he had built at Calach, close to that of his
father.[69]
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