A history of art in Chaldæa & Assyria, Vol. 1 (of 2) — John Shaqi
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Under the immediate successors of Shalmaneser the Assyrian _prestige_ was
maintained at a high level by dint of the same lavish bloodshed and
truculent energy; but towards the eighth century it began to decline. There
was then a period of languor and decadence, some echo of which, and of its
accompanying disasters, seems to have been embodied by the Greeks in the
romantic tale of Sardanapalus. No shadow of confirmation for the story of a
first destruction of Nineveh is to be found in the inscriptions, and, in
the middle of the same century, we again find the Assyrian arms triumphant
under the leadership of TIGLATH PILESER II., a king modelled after the
great warriors of the earlier days. This prince seems to have carried his
victorious arms as far east as the Indus, and west as the frontiers of
Egypt.
And yet it was only under his second successor, SARYOUKIN, or, to give him
his popular name, SARGON, the founder of a new dynasty, that Syria, with
the exception of Tyre, was brought into complete submission after a great
victory over the Egyptians (721-704).[70] In the intervals of his campaigns
Sargon built the town and palace which have been discovered at Khorsabad,
_Dour-Saryoukin_, or the "town of Sargon."
His son SENNACHERIB equalled him both as a soldier and as a builder. He
began by crushing the rebels of Elam and Chaldaea with unflinching severity;
in his anger he almost exterminated the inhabitants of Babylon, the
perennial seat of revolt; but, on the other hand, he repaired and restored
Nineveh. Most of his predecessors had been absentees from the capital, and
had neglected its buildings. They had preferred to place their own
habitations where they could escape from the crowd and the dangers it
implied. But Sennacherib was of another mind. He chose a site well within
the city for the magnificent palace which Mr. Layard has been the means of
restoring to the world. This building is now known as _Kouyundjik_, from
the name of the village perched upon the mound within which the buildings
of Sennacherib were hidden.[71]
Sennacherib rebuilt the walls, the towers, and the quays of Nineveh at the
same time, so that the capital, which had never ceased to be the strongest
and most populous city of the empire, again became the residence of the
king--a distinction which it was to preserve until the fast approaching
date of its final destruction.
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