A history of art in Chaldæa & Assyria, Vol. 2 (of 2) — John Shaqi
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
the knife I soon enlarged the hole, and then saw that the stone was
worked and chiselled with great care. Next morning I brought my workmen
to the spot, and watched them closely to see that they advanced with
sufficient precaution. A few strokes of the pick-axe brought to light
the head of one of the bulls. Off I went at full gallop to Mossoul, and
came back next day with M. Botta.”
Whether this be a truthful narrative or not I cannot say. Michel was
born in the Levant, of French parents, and I always forgot to ask
whether, by any chance, his father was a Gascon. In any case, it
was to Botta’s honour that he understood the value and significance
of a discovery due, in the first place, to the idle scratchings of
a subaltern, and that he pushed on his explorations in the face of
Turkish ill-will and pecuniary difficulties, and that before he had
received any encouragement from Paris.
Botta soon recognized the true character of the building, even although
he clung to the erroneous notion that he had disinterred the historical
capital of Assyria, the Nineveh of classic writers and Hebrew
prophets.[10] The excavations of his successor and the decipherment
of the cuneiform texts have clearly proved his mistake. The monument
found and partly excavated by Botta, was never included in Nineveh,
vast though that city may have been. It was part of what may be called
a caprice of Sargon’s put into execution between the years 722 and 705
B.C. That prince was not content with founding a new dynasty;
he determined to pass the intervals between his campaigns in a palace
and city which should be entirely his own creation, and should bear
his name. That town and palace, with its situation a few miles from
the great political and commercial capital, was the Versailles of an
Assyrian _grand monarque_.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account