A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
The connection between town and palace was very close. The fortified
walls of the former inclosed a large rectangular parallelogram (Vol. I.
Fig. 144), while the lofty platform on which the structures composing
the king’s dwelling were reared, was placed, as it were, astride of the
wall on its north-western face. Its pavement was on a level with the
summit of the wall.[11] Thus attached to the _enceinte_ the palace
esplanade shared the protection of its parapet and flanking towers,
while it stood boldly out, like an enormous bastion, from the stretch
of wall of which it formed a part. From three of its faces it commanded
a view of the plain, the river, and the neighbouring mountains, so
that the requirements of health and pleasure were remembered at the
same time as those of safety. As for placing the king’s dwelling, as
it might have been placed by a modern architect, at some distance from
the town, and upon the summit of some gentle height, such a notion was
quite outside Assyrian ideas. A country site would have been too easily
accessible to the numerous enemies of the Assyrian kings--those eastern
Attilas, who could only feel themselves safe when sheltered by the
impenetrable walls of dwellings perched upon an artificial hill, from
which the whole surrounding country could be watched.
[Illustration: FIG. 3.--Plan of Sargon’s palace in its
present state; from Place.]
We must refer those who wish to study the arrangements of Sargon’s
palace in detail to the plans and letterpress of Place. Botta
discovered fourteen apartments; Place cleared one hundred and
eighty-six. A few more were suggested by him on his restored plan at
points where symmetry seemed to demand their existence. His plan,
therefore, includes in all, two hundred and nine apartments of various
sizes.[12] The adjoining plan, which shows the actual state of the
ruins, is sufficient to show the general arrangement (Fig. 3).[13]
The longitudinal section (Fig. 4) is taken through the central axis
of the building, the position of the staged-tower showing that it is
the western half of the palace that has been chosen for reproduction.
A good idea of the general physiognomy of the whole may be obtained
from our Plate V. This is not a mere reduction from Thomas’s
restoration;[14] several details have been sensibly modified. Thus, on
the principal façade, barrel vaults have been substituted for domes
as being on the whole more probable; battlements have been placed on
the parapet of the double ramp, and the perspective, which is very
imperfect in Thomas’s plate, has been corrected. Our view is supposed
to be taken at some sixteen hundred feet above the ground and at a
considerable distance south-east of the platform.
[Illustration: FIG. 4.--Longitudinal section through the
palace of Sargon; compiled from Thomas.]
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