A history of art in Chaldæa & Assyria, Vol. 2 (of 2) — John Shaqi
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
At the opposite side of the court lay what Place calls the _active
section of the offices_ (_la partie active des dépendances_),
the rooms where all those domestic labours were carried on without
which the luxurious life of the royal dwelling would have come to a
standstill. Kitchens and bakehouses were easily recognized by the
contents of the clay vases found in them; bronze rings let into the
wall betrayed the stables--in the East of our own day, horses and
camels are picketed to similar rings. Close to the stables a long
gallery, in which a large number of chariots and sets of harness could
be conveniently arranged, has been recognized as a coach-house. There
are but few rooms in which some glimpse of their probable destination
has not been caught. In two small chambers between courts A and B, the
flooring stones are pierced with round holes leading to square sewers,
which, in their turn, join a large brick-vaulted drain. The use of such
a contrivance is obvious.[29]
We may fairly suppose that the rooms in which no special indication of
their purpose was found, were mostly servants’ lodgings. They are, as a
rule, of very small size.
On the other hand, courts were ample and passages wide. Plenty of
space was required for the circulation of the domestics who supplied
the tables of the seraglio and harem, for exercising horses, and for
washing chariots. If, after the explorations of Place, any doubts could
remain as to the purpose of this quarter of the palace, they would be
removed by the Assyrian texts. Upon the terra-cotta prism on which
Sennacherib, after narrating his campaigns, describes the restoration
of his palace, he says, “the kings, my predecessors, constructed the
office court for baggage, for exercising horses, for the storing of
utensils.” Esarhaddon speaks, in another inscription, of “the part
built by the kings, his predecessors, for holding baggage, for lodging
horses, camels, dromedaries and chariots.”[30]
We have now made the tour of the palace, and we find ourselves again
before the propylæum whence we set out. This propylæum must have
been one of the finest creations of Assyrian architecture. It had no
fewer than ten winged bulls of different sizes, some parallel, others
perpendicular, to the direction of the wall. There were six in the
central doorway, which was, in all probability, reserved for the king
and his suite. A pair of smaller colossi flanked each of the two side
doors, through which passed, no doubt between files of guards, the
ceaseless crowd of visitors, soldiers, and domestics. The conception of
this façade, with its high substructure, and the ascending: lines of
a double flight of steps connecting it with the town below, is really
grand, and the size of the court into which it led, not much less than
two acres and a half, was worthy of such an approach.
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