A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
The huge dimensions of this court are to be explained, not only by the
desire for imposing size, but also by the important part it played in
the economy of the palace. By its means the three main divisions, the
seraglio, the harem, and the khan, were put into communication with
each other. When there were no particular reasons for making a détour,
it was crossed by any one desiring to go from one part to another. It
was a kind of general rendezvous and common passage, and its great size
was no more than necessary for the convenient circulation of servants
with provisions for the royal tables, of military detachments, of
workmen going to their work, of the harem ladies taking the air in
palanquins escorted by eunuchs, and of royal processions, in which the
king himself took part.
As to whether or no any part of the platform was laid out in gardens,
or the courts planted with trees and flowers, we do not know. Of course
the excavations would tell us nothing on that point, but evidence is
not wanting that the masters for whom all this architectural splendour
was created were not without a love for shady groves, and that they
were fond of having trees in the neighbourhood of their dwellings.
The hanging gardens of Babylon have been famous for more than
twenty centuries. The bas-reliefs tell us that the Assyrians had an
inclination towards the same kind of luxury. On a sculptured fragment
from Kouyundjik we find a range of trees crowning a terrace supported
by a row of pointed arches (Vol. I., Fig. 42); another slab, from the
same palace of Sennacherib, shows us trees upheld by a colonnade (Fig.
8). If Sargon established in any part of his palace a garden like
that hinted at in the sculptured scene in which Assurbanipal is shown
at table with his wife (Vol. I., Fig. 27), it must have been in the
north-western angle of the platform, near the temple and staged tower.
In this corner of the mound there is plenty of open space, and being
farther from the principal entrances of the palace, it is more quiet
and retired than any other part of the royal dwelling. Here then, if
anywhere, we may imagine terraces covered with vegetable earth, in
which the vine, the fig, the pomegranate and the tall pyramid of the
cypress, could flourish and cast their grateful shadows. The existence
of such gardens is, however, so uncertain, that we have given them no
place in our attempts at restoration.
[Illustration: FIG. 8.--A hanging garden; from Layard.]
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