A history of art in Chaldæa & Assyria, Vol. 2 (of 2) — John Shaqi
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
If we have placed the edifices from which the English explorers have
drawn so many precious monuments in the second line, it is not only
because their exploration is incomplete, but also because they do not
lend themselves to our purpose quite so readily as that cleared by MM.
Botta and Place. At Khorsabad there have never been any buildings but
those of Sargon; city and palace were built at a single operation,
and those who undertake their study do not run any risk of confusion
between the work of different generations. The plan we have discussed
so minutely is really that elaborated by the Assyrian architect to whom
Sargon committed the direction of the work. We can hardly say the same
of the ruins explored by Mr. Layard and his successors. The mounds of
Nimroud and Kouyundjik saw one royal dwelling succeed another, and
the architects who were employed upon them hardly had their hands
free. They had, to a certain extent, to reckon with buildings already
in existence. These may sometimes have prevented them from extending
their works as far as they wished in one direction or another, or even
compelled them now and then to vary the levels of their floors; so that
it is not always easy for a modern explorer to know exactly how he
stands among the ruins of their creations, or to clearly distinguish
the work of one date from that of another.[40]
It was at Nimroud that this perplexity was chiefly felt, until the
decipherment of the inscriptions came to enable different periods and
princes to be easily distinguished. This name of Nimroud, handed down
by the ancient traditions collected in Genesis, has been given to a
mound which rises about six leagues to the south of Mossoul, on the
left bank of the Tigris, and both by its form and elevation attracts
the attention of every traveller that descends the stream. The river
is now at some distance from the ruins, but as our map shows (Fig.
1), it is easy to trace its ancient bed, which was close to the foot
of the mound. The latter is an elongated parallelogram, about 1,300
yards in one direction, and 750 in the other (see Vol. I., Fig. 145).
Above its weather-beaten sides, and the flat expanse at their summit,
stood, before the excavations began, the apex of the conical mound in
which Layard found the lower stories of a staged tower (Fig. 13). Calah
seems to have been the first capital of the Assyrian Empire and even
to have preserved some considerable importance after the Sargonids
had transported the seat of government to Nineveh, and built their
most sumptuous buildings in the latter city. Nearly every king of any
importance, down to the very last years of the monarchy, left the mark
of his hand upon Nimroud.[41]
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