A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Of all the royal buildings at Calah that which has been most
methodically and thoroughly cleared is the oldest of all, the
north-western palace, or palace of Assurnazirpal (885–860). It has
not been entirely laid open, but the most richly decorated parts,
corresponding to the seraglio at Khorsabad, have been cleared. The
adjoining plan (Fig. 14) shows arrangements quite similar to those of
Sargon’s palace. A large court is surrounded on three sides by as many
rectangular groups of apartments, each group forming a separate suite,
with its own entrances to the court.
[Illustration: FIG. 13.--General view of Nimroud; from
Layard.]
The chief entrance faces the north. Two great doorways flanked by
winged and human-headed lions, give access to a long gallery (4 on
plan). At the western end of this gallery there is a small platform
or daïs raised several steps above the rest of the floor. Upon this,
no doubt, the king’s throne was placed on those reception days when
subjects and vassals crowded to his feet. Some idea of what such a
reception must have been may be gained from an Indian _Durbar_,
or from the Sultan of Turkey’s annual review of all his great
functionaries of state at the feast of _Courban-Baïram_. I
witnessed the latter ceremony in the Old Seraglio in 1857, and when
those great officers, like the mollahs and sheiks of the dervishes,
who had preserved the turban and floating robes of the East, bent to
the feet of Abd-al-Medjid, I was irresistibly reminded of the pompous
ceremonials sculptured on the walls of Nineveh and Persepolis.
[Illustration: FIG. 14.--Plan of the north-western
palace at Nimroud; from Layard.]
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