A History of Caricature and Grotesque in Literature and ArtWright, Thomas
History
A History of Caricature and Grotesque in Literature and Art
Wright, Thomas
Caricature -- History
Marguerite held her court in true princely manner in the castle of Pau
or at Nérac, and she loved to surround herself with a circle of men
remarkable for their character and talents, and ladies distinguished
by beauty and accomplishments, which made it rival in brilliance
even that of her brother François. She placed nearest to her person,
under the character of her _valets-de-chambre_, the principal poets
and _beaux-esprits_ of her time, such as Clement Marot, Bonaventure
des Periers, Claude Gruget, Antoine du Moulin, and Jean de la Haye,
and admitted them to such a tender familiarity of intercourse, as to
excite the jealousy of the king her husband, from whose ill-treatment
she was only protected by her brother's interference. The poets called
her chamber a "veritable Parnassus." Hers was certainly a great
mind, greedy of knowledge, dissatisfied with what was, and eager for
novelties, and therefore she encouraged all who sought for them. It
was in this spirit, combined with her earnest love for letters, that
she threw her protection over both the sceptics and the religious
reformers. At the beginning of the persecutions, as early as 1523,
she openly declared herself the advocate of the Protestants. When
Clement Marot was arrested by order of the Sorbonne and the Inquisitor
on the charge of having eaten bacon in Lent, Marguerite caused him
to be liberated from prison, in defiance of his persecutors. Some of
the purest and ablest of the early French reformers, such as Roussel
and Le Fèvre d'Etaples, and Calvin himself, found a safe asylum from
danger in her dominions. As might be supposed, the bigoted party were
bitterly incensed against the queen of Navarre, and were not backward
in taking advantage of an opportunity for showing it. A moral treatise,
entitled "Le Miroir de l'Ame Pécheresse," of which Marguerite was the
author, was condemned by the Sorbonne in 1533, but the king compelled
the university, in the person of its rector, Nicolas Cop, to disavow
publicly the censure. This was followed by a still greater act of
insolence, for, at the instigation of some of the more bigoted papists,
the scholars of the college of Navarre, in concert with their regents,
performed a farce in which Marguerite was transformed into a fury of
hell. François I., greatly indignant, sent his archers to arrest the
offenders, who further provoked his anger by resistance, and only
obtained their pardon through the generous intercession of the princess
whom they had so grossly insulted.
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