A History of Champagne, with Notes on the Other Sparkling Wines of FranceVizetelly, Henry
History
A History of Champagne, with Notes on the Other Sparkling Wines of France
Vizetelly, Henry
Champagne (Wine) -- History; Wine and wine making -- France
After crossing the canal and the river Vesle, and leaving the gray
antiquated-looking village of Cormontreuil on our left, we traversed a
wide stretch of cultivated country streaked with patches of woodland,
with occasional windmills dotting the distant heights, and villages
nestling among the trees up the mountain-sides and in the quiet
hollows. Soon a few vineyards occupying the lower slopes, and thronged
by bands of vintagers, came in sight, and the country too grew more
picturesque. We passed successively on our right hand Rilly, a former
fief of the Archbishop of Reims, and noted for its capital red wine;
then Chigny, where the Abbot of St. Remi had a vineyard as early as
the commencement of the thirteenth century; and afterwards Ludes,--all
three of them situated more or less up the mountain, with vines in
every direction, relieved by a dark background of forest-trees. In
the old days, the Knights Templars of the Commanderie of Reims had
the right of _vinage_ at Ludes, and exacted their modest 'pot' (about
half a gallon) per pièce on all the wine the village produced. On our
left hand is Mailly, the vineyards of which join those of Verzenay,
and, though classed only as a second cru, yielding a wine noted for
_finesse_ and bouquet, identified by some as the vintage which was
recommended in the ninth century to Bishop Hincmar of Reims by his
_confrère_, Pardulus of Laon. From the wooded knolls hereabouts a view
is gained of the broad plains of the Champagne, dotted with white
villages and scattered homesteads among the poplars and the limes, the
winding Vesle glittering in the sunlight, and the dark towers of Notre
Dame de Reims, with all their rich Gothic fretwork, rising majestically
above the distant city.
At one vendangeoir we visited, at Mailly, between 350 and 400 pièces
of wine were being made at the rate of some thirty pièces during
the long day of twenty hours, five men being engaged in working the
old-fashioned press, closely resembling a cider-press, and applying
its pressure longitudinally. This ancient press doubtless differs but
little from the one which the chapter of Reims Cathedral possessed
at Mailly in 1384. As soon as the must was expressed it was emptied
into large vats, holding about 450 gallons, and in these it remained
for several days before being drawn off into casks. Of the above
thirty pièces, twenty resulting from the first pressure were of the
finest quality, while four produced by the second pressure were partly
reserved to replace what the first might lose during fermentation, the
residue serving for second-class Champagne. The six pièces which came
from the final pressure, after being mixed with common wine of the
district, were converted into Champagne of an inferior quality.
[Illustration: THE VINEYARDS OF BOUZY.]
Public-domain text, read in full here on John Shaqi.
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