A History of Chinese LiteratureGiles, Herbert Allen
History
A History of Chinese Literature
Giles, Herbert Allen
Chinese literature -- History and criticism
Another leading poet of the day was SUNG YÜ, of whom we know
little beyond the fact that he was nephew of Ch‘ü Yüan, and like his
uncle both a statesman and a poet. The following extract exhibits him
in a mood not far removed from the lamentations of the _Li Sao_:--
“_Among birds the phœnix, among fishes the leviathan holds the
chiefest place;
Cleaving the crimson clouds the phœnix soars apace,
With only the blue sky above, far into the realms of space;
But the grandeur of heaven and earth is as naught to the
hedge-sparrow race._
_And the leviathan rises in one ocean to go to rest in a second,
While the depth of a puddle by a humble minnow as the depth of the
sea is reckoned._
_And just as with birds and with fishes, so too it is with man;
Here soars a phœnix, there swims a leviathan ...
Behold the philosopher, full of nervous thought, with a flame that
never grows dim,
Dwelling complacently alone; say, what can the vulgar herd know
of him?_”
As has been stated above, the poems of this school are irregular
in metre; in fact, they are only approximately metrical. The poet
never ends his line in deference to a prescribed number of feet, but
lengthens or shortens to suit the exigency of his thought. Similarly,
he may rhyme or he may not. The reader, however, is never conscious of
any want of art, carried away as he is by flow of language and rapid
succession of poetical imagery.
Several other poets, such as Chia I and Tung-fang So, who cultivated
this particular vein, but on a somewhat lower plane, belong to the
second century B.C., thus overlapping a period which must be
regarded as heralding the birth of a new style rather than occupied
with the passing of the old.
* * * * *
It may here be mentioned that many short pieces of doubtful age and
authorship--some few unquestionably old--have been rescued by Chinese
scholars from various sources, and formed into convenient collections.
Of such is a verse known as “Yao’s Advice,” Yao being the legendary
monarch mentioned in chapter ii., who is associated with Shun in
China’s Golden Age:--
“_With trembling heart and cautious steps
Walk daily in fear of God ...
Though you never trip over a mountain,
You may often trip over a clod._”
There is also the husbandman’s song, which enlarges upon the national
happiness of those halcyon days:--
“_Work, work;--from the rising sun
Till sunset comes and the day is done
I plough the sod
And harrow the clod,
And meat and drink both come to me,
So what care I for the powers that be?_”
[Sidenote: INSCRIPTIONS]
Public-domain text, read in full here on John Shaqi.
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