A History of Chinese LiteratureGiles, Herbert Allen
History
A History of Chinese Literature
Giles, Herbert Allen
Chinese literature -- History and criticism
Overwhelmed by further disappointments, and sinking still more deeply
into disfavour, so that he cared no longer to live, he went forth to
the banks of the Mi-lo river. There he met a fisherman who accosted
him, saying, “Are you not his Excellency the Minister? What has brought
you to this pass?” “The world,” replied Ch‘ü Yüan, “is foul, and I
alone am clean. There they are all drunk, while I alone am sober. So
I am dismissed.” “Ah!” said the fisherman, “the true sage does not
quarrel with his environment, but adapts himself to it. If, as you
say, the world is foul, why not leap into the tide and make it clean?
If all men are drunk, why not drink with them and teach them to avoid
excess?” After some further colloquy, the fisherman rowed away; and
Ch‘ü Yüan, clasping a large stone in his arms, plunged into the river
and was seen no more. This took place on the fifth of the fifth moon;
and ever afterwards the people of Ch‘u commemorated the day by an
annual festival, when offerings of rice in bamboo tubes were cast into
the river as a sacrifice to the spirit of their great hero. Such is the
origin of the modern Dragon-Boat Festival, which is supposed to be a
search for the body of Ch‘ü Yüan.
A good specimen of his style will be found in the following short poem,
entitled “The Genius of the Mountain.” It is one of “nine songs” which,
together with a number of other pieces in a similar strain, have been
classed under the general heading, _Li Sao_, as above.
“Methinks there is a Genius of the hills, clad in wistaria, girdled
with ivy, with smiling lips, of witching mien, riding on the red pard,
wild cats galloping in the rear, reclining in a chariot, with banners
of cassia, cloaked with the orchid, girt with azalea, culling the
perfume of sweet flowers to leave behind a memory in the heart. But
dark is the grove wherein I dwell. No light of day reaches it ever. The
path thither is dangerous and difficult to climb. Alone I stand on the
hill-top, while the clouds float beneath my feet, and all around is
wrapped in gloom.
“Gently blows the east wind; softly falls the rain. In my joy I become
oblivious of home; for who in my decline would honour me now?
“I pluck the larkspur on the hillside, amid the chaos of rock and
tangled vine. I hate him who has made me an outcast, who has now no
leisure to think of me.
“I drink from the rocky spring. I shade myself beneath the spreading
pine. Even though he were to recall me to him, I could not fall to the
level of the world.
“Now booms the thunder through the drizzling rain. The gibbons howl
around me all the long night. The gale rushes fitfully through the
whispering trees. And I am thinking of my Prince, but in vain; for I
cannot lay my grief.”
* * * * *
[Sidenote: SUNG YÜ]
Public-domain text, read in full here on John Shaqi.
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