A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
Besides citing the _Orithyia_ passage John also refers to Longinus as
admiring Moses (Walz, vi. 211), which, of course, strengthens the
supposition that he had the Περὶ Ὕψους before him not a little (_v.
supra_, pp. 156, 162).
And so, without further minute examination of this curiosity, we may
take some general view of it as the last words—or fairly representative
of the last words—of Greek rhetorical criticism, unaffected by mediæval
literature, unaffected even by Latin, to any considerable, or at least
avowed, extent, but turning round and round the long-guarded treasures
of its own special hoard, like the dragons of fable. To us, perhaps, the
hoard does not seem very inviting. The enormous apparatus of distinction
and terminology is set to work, almost exclusively, on matter which has
neither the attraction of the highest æsthetic problems, nor the
practical interest and profit of direct literary criticism of
particulars. There is abundance of learning, and by no means a dearth of
mother-wit. But the worst side of Scholasticism—the side which was long
unjustly taken for the whole, but which _is_ a side thereof—makes itself
almost universally felt. Sometimes one almost thinks of one of the
keenest, if not the most generally delectable, strokes of Rabelaisian
satire, the duel of signs between Panurge and Thaumast. This -_tes_ and
that -_ia_ hurtle through the air almost without conveying
understanding, though they may darken a good deal. With sufficient pains
and goodwill, you may disinter many a shrewd remark, many a really
useful definition, many a scrap of precious information, by no means
unintelligently used. But on the whole, the impression is as of the
ghost of Rhetoric struggling against being re-embodied as the soul of
Criticism.
INTERCHAPTER I.
We have endeavoured, in the foregoing Book, to survey—from the actual
texts, and admitting no conjectural or theoretical reconstruction—the
history of literary criticism in Greece and the Greek Empire till its
fall. It is our duty in this first halt to survey this survey—to see
what results it actually gives us, to classify and arrange them, to
account for them as philosophically as possible, and, without digressing
into the quicksands of theory, to lay down the solid road of logical and
historical perspective.
Public-domain text, read in full here on John Shaqi.
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