A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
In conclusion, with special regard to this Book and the next, I would,
very modestly but very strenuously, deprecate a line of comment which is
not unusual from exclusively classical students, and which stigmatises
“judging ancient literature from modern points of view.” Such a process
is no doubt even more grossly wrong than that (not unknown) of judging
modern literature from ancient standpoints. But the true critic admits
neither. He endeavours—a hard and ambitious task!—to extract from _all_
literature, ancient, mediæval, and modern, lessons of its universal
qualities, which may enable him to see each period _sub specie
æternitatis_. And nothing less than this—with the Muses to help—is the
adventure of this work.
CHAPTER II.
GREEK CRITICISM BEFORE ARISTOTLE.
EARLIEST CRITICISM OF THE GREEKS—PROBABLY HOMERIC IN SUBJECT—PROBABLY
ALLEGORIC IN METHOD—XENOPHANES—PARMENIDES—EMPEDOCLES—DEMOCRITUS—THE
SOPHISTS: EARLIER—THE SOPHISTS: LATER—PLATO—HIS CROTCHETS—HIS
COMPENSATIONS—ARISTOPHANES—THE ‘FROGS’—OTHER CRITICISM IN
COMEDY—SIMYLUS(?)—ISOCRATES.
Although we have, putting aside Aristophanes, an almost utter dearth of
actual texts before Plato, it is possible, without [Sidenote: _Earliest
criticism of the Greeks._] violating the principles laid down in the
foregoing chapter, to discern some general currents, and a few
individual deliverances, of Greek criticism[4] in earlier ages. The
earliest character of this criticism that we perceive is, as we should
expect, a tendency towards allegorical explanations of literature. And
the earliest subject of this that we discover is, again as we should
expect, the work attributed to Homer.
Footnote 4:
I am not aware of any _complete_ treatment of the subject of Greek
criticism except that of M. Egger already cited, and, as part of a
still larger whole, that of M. Théry (see note on Preface). The German
handlings of the subject, as Professor Rhys Roberts (p. 259 of his ed.
of Longinus) remarks, seem all to be concerned with the philosophy of
æsthetic. If the work which Professor Roberts himself promises (ibid.,
p. ix.) had appeared, I should doubtless have had a most valuable
guide and controller in him.
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