A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism — John Shaqi
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
How much less even does one see anything of the kind in the few and
great verses of Parmenides, that extraordinary link of union between
Homer and Lucretius, the poet of [Sidenote: _Parmenides._] the “gates of
the ways of night and day,”[10] the philosopher whose teaching is of
that which “is and cannot but be?”[11] the seer whose sight was ever
“straining straight at the rays of the sun”?[12] We shall see shortly
how a more chastened and experienced idealism, combined in all
probability with a much wider actual knowledge of literature and art,
made the literary criticism of Plato a blend of exquisite rhapsody and
childish crotchet. In the much earlier day of Parmenides not even this
blend was to be expected. There could hardly by any possibility have
been anything but the indulgence in allegorising which is equally dear
to poets and philosophers, and perhaps the inception of a fanciful
philology. Metaphysics and physics sufficed, with a little creative
literature. For criticism there could be no room.
Footnote 10:
Parm. _de Natura_, l. 11; Karsten, I. ii. 29.
Footnote 11:
Ibid., l. 35.
Footnote 12:
Ibid., l. 144.
But it will be said, Empedocles? Empedocles who, according to some
traditions, was the inventor of Rhetoric—who certainly was a native of
the island where Rhetoric arose—the [Sidenote: _Empedocles._] chief
speaker among these old philosophers? That Empedocles had a good deal of
the critical temper may be readily granted. He has little or nothing of
the sublime beliefs of Parmenides; his scepticism is much more
thorough-going than that which certainly does appear in the philosopher
of Colophon. If a man do not take the discouragement of it too much to
heart there is, perhaps, no safer and saner frame of mind for the critic
than that expressed in the strongest of all the Empedoclean fragments,
that which tells us how “Men, wrestling through a little space of life
that is no life, whirled off like a vapour by quick fate, flit away,
each persuaded but of that with which he has himself come in contact,
darting this way and that. But the Whole man boasts to find idly; not to
be seen are these things by men, nor heard, nor grasped by their minds.
Thou shalt know no more than human counsel has reached.”[13] An
excellent critical mood, if not pushed to mere inaction and despair: but
there is no evidence that it led Empedocles to criticism. Physics and
ethics appear to have absorbed him wholly.
Footnote 13:
Emp. _de Natura_ l. 34-40; Karsten, ii. 89, 90.
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