A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism — John Shaqi
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
“Thought” is somewhat briefly referred to Rhetoric (_vide infra_), and
then we come to Diction. This is treated rather oddly, though the oddity
will not seem so odd to those who have carefully studied the contents,
still more the texts, of the foregoing chapter. Much of the handling is
purely grammatical. The “Figures,” especially metaphor, make some
appearance: and of style proper we hear little more than that it is to
be clear without being mean, though we have some illuminative examples
of this difference.
Then Aristotle passes briefly to Epic, his prescription for which is an
application of that already given—the single action, with its beginning,
middle, and end. The organism, with its _oikeia hedone_, the parts, the
kinds are the same, with the exception of song and scenery. The only
differences are scale (Epic being much larger) and metre, with a fuller
allowance for the improbable, the irrational. Some rather desultory
remarks on difficulties of criticism or interpretation follow, and the
piece ends abruptly with a consideration of the purely academic question
whether Epic or Tragedy ranks higher. Some had given the primacy to
Epic: Aristotle votes for Tragedy, and gives his reasons.
This summary has been cut down purposely to the lowest point consistent
with sufficiency and clearness; but I trust it is neither insufficient
nor obscure. We may now see what can be observed in it.
We observe, in the first place, not merely a far fuller dose of
criticism than in anything studied hitherto, but also a great [Sidenote:
_Characteristics, general._] advance of critical _theory_. Not only has
the writer got beyond the obscure, fragmentary, often irrelevant,
utterances of the early philosophers: but he is neither conducting a
particular polemic, as was Aristophanes, nor speaking to the previous
question, like Plato. An _a posteriori_ proof of the depth and solidity
of the inquiry may be found in the fact that it is still, after more
than two thousand years, hardly in the least obsolete. But we are not
driven to this: its intrinsic merit is quite sufficient.
At the same time, there are certain defects and drawbacks in it which
are of almost as much importance as its merits, and which perhaps
require prior treatment. That it is incomplete admits of no doubt; that
part of it shows signs of corruption, that there are possible garblings
and spurious insertions, does not admit of very much. But the view
throughout is so firm and consistent; the incidental remarks tally so
well with what we should expect; and, above all, the exclusions or
belittlings are so significant, that if the treatise were very much more
complete, it would probably not tell us very much more than we know or
can reasonably infer already.
Public-domain text, read in full here on John Shaqi.
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