A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxySaintsbury, George
History
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
To be most readily found in Rogers’s _Memorials of the Earl of
Stirling_ (vol. ii. pp. 205-210; Edinburgh, 1877), where, however, it
appears merely as one of the Appendices to a book of more or less pure
genealogy, without the slightest editorial information as to date or
_provenance_. It seems to be taken from the 1711 folio of Drummond’s
_Works_: and to have been written in 1634, between Bacon’s death and
Ben’s.
Footnote 267:
From Park, and from Messrs Gayley and Scott. I did not always agree
with my late friend Dr Grosart: but I think he was better advised when
he called it “disappointing.”
-----
Save perhaps in one single respect (where the defect was not wholly his
fault), Ben Jonson might be described as a critic armed at all points.
[Sidenote: _Ben Jonson: his equipment._] His knowledge of literature was
extremely wide, being at the same time solid and thorough. While he had
an understanding above all things strong and masculine, he was
particularly addicted, though in no dilettante fashion, to points of
form. His whole energies, and they were little short of Titanic, were
given to literature. And, lastly, if he had not the supremest poetic
genius, he had such a talent that only the neighbourhood of supremacy
dwarfs it. Where he came short was not in a certain hardness of temper
and scholasticism of attitude: for these, if kept within bounds, and
tempered by that enthusiasm for letters which he possessed, are not bad
equipments for the critic. It was rather in the fact that he still came
too early for it to be possible for him, except by the help of a
miracle, to understand the achievements and value of the vernaculars. By
his latest days, indeed,[268] the positive performance of these was
already very great. Spain has hardly added anything since, and Italy not
very much, to her share of European literature; France was already in
the first flush of her “classical” period, after a long and glorious
earlier history: and what Ben’s own contemporaries in England had done,
all men know. But mediæval literature was shut from him, as from all,
till far later; he does not seem to have been much drawn to Continental
letters, and, perhaps in their case, as certainly in English, he was too
near—too much a part of the movement—to get it into firm perspective.
-----
Footnote 268:
It may be well to point out that these days carried him far beyond the
point at which we have stopped for Italian and for French. His
solidarity with the Elizabethans proper, however, makes his inclusion
here imperative: and the fact must be taken into consideration in
judging the relative lengths of this and the preceding chapters.
-----
Public-domain text, read in full here on John Shaqi.
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