A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
In the Fourth volume, though the “Mirabeau” articles and the “Chamfort,”
the “Saint-Evremond et Ninon” and the “Marmontel” are charming in the
mixed kind, I think, for literature, the palm is due to that sentence—so
autobiographical and so much more than merely autobiographical—which
opens the “Moreau and Dupont” piece, “Je cause rarement ici de poésie,
precisément parceque je l’ai beaucoup aimée et que je l’aime encore plus
que toute chose.” _Quia multum amavi!_ And he does not derogate from
this attitude in the Fifth, where he welcomes Victor de Laprade and
Leconte de Lisle, while this also contains delightful things on
Raynouard, Rivarol, Retz, Patru, Gourville, and even the remarkable
person once called Le-Brun-_Pindare_. In the Sixth we go from Rollin to
La Reine Margot, from Bernardin and Courier to Saint Anselm backwards
and the Abbé Gerbet forwards, with, at the close, one article of special
interest here, Sainte-Beuve’s revised and in some ways _palinodic_
opinions on Boileau. The Seventh is mainly eighteenth century—
Montesquieu and the Président de Brosses, Franklin and Barthélemy, Grimm
(for whom, here as elsewhere, Sainte-Beuve makes strong fight against
the general, and, I am bound to say, in my judgment, the well-grounded,
distrust of him), Necker and Volney, with, to give us change from a
better time, Regnard and La Fontaine at front and close, Richelieu and
Saint François de Sales, Mérimée and Arnault, and the elder Marguerite.
On the last he is a little disappointing: and perhaps we might have
expected that he would be.
Public-domain text, read in full here on John Shaqi.
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