A History of English VersificationSchipper, J. (Jakob)
History
A History of English Versification
Schipper, J. (Jakob)
English language -- Versification; English poetry -- History and criticism
_The kíng would spéak with Córnwall: | the déar fáther._
Lear, II. iv. 102.
_Déar my lórd, | íf you in yóur own próof._ Ado, IV. i. 46.
Hor. _Whére my lórd? | Haml. In my mínd's éye, Horátio._
Ham. I. ii. 185.
The two last examples also show the absence of the first thesis, which
often occurs in Shakespeare; frequently, as in these cases, it is
compensated by an extra stress laid on the first accented syllable (cf.
§ 84); e.g.:
_Stáy! | the kíng has thrówn | his wárder dówn._
Rich. II, I. iii. 118.
_Upón your Gráce's part; | bláck and féarful._
All's Well, III. i. 4.
For the same reason a thesis is sometimes wanting in the interior of a
line:
_Of góodly thóusands. | Bút, for áll thís._ Macb. IV. iii. 44;
or for phonetic reasons (cf. § 86):
_A thírd thínks, | withóut expénse at áll._ 1 Hen. VI, I. i. 76.
With respect to the word-stress and the metrical value of syllables
there are in Shakespeare many archaic peculiarities. Some of those we
have already dealt with; for the rest the reader must consult the works
in which they are specially discussed.
§ =171.= Of great interest are the other metres that occur in
combination with blank verse in Shakespeare's plays.
Alexandrines are frequently met with, especially where one line is
divided between two speakers:
Macb. _I'll cóme to yóu anón._ | Murd. _We áre resólved, my lórd._
Macb. III. i. 139.
Macb. _Hów does your pátient, dóctor?_ | Doct. _Nót so síck, my lórd._
ib. V. iii. 37;
but also in many other cases:
_Hów dares thy hársh rude tóngue | sound thís unpléasing néws?_
R. II, III. iv. 74.
_And thése does shé applý | for wárnings, ánd porténts._
Caes. II. ii. 80.
Frequently, however, such apparent Alexandrines can easily be read as
regular five-foot lines, for which they were certainly intended by the
poet, by means of the ordinary metrical licences, as slurring, double
theses, epic caesuras, or feminine endings[162]; e.g.:
_I had thóught, my lórd, | to have léarn'd his héalth of yóu._
R. II, II. iii. 24.
_I prómise you, | Í am afráid | to héar you téll it._
R. III, I. iv. 65.
_O'erbéars your ófficers; | the rábble cáll him lórd._
Haml. IV. v. 102.
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