A History of English VersificationSchipper, J. (Jakob)
History
A History of English Versification
Schipper, J. (Jakob)
English language -- Versification; English poetry -- History and criticism
Had this essay of Percy's been known to Lachmann's followers, many
of the forced attempts at reconciling the Old English verse with a
scheme that involved a fixed number of syllables in the line would not
have been made. Lachmann himself, it must be remembered, admitted the
two-beat scansion for Old Norse, Old Saxon, and Old English. Meanwhile
other investigators were at work on independent lines. In 1844 A.
Schmeller, the editor of the _Heliand_, formulated the law that, in
the Teutonic languages, it is the force with which the different
syllables are uttered that regulates the rhythm of the verse, and not
the number or length of the syllables (which are of minor importance),
and established the fact that this alliterative verse was not meant to
be sung but to be recited.[40] He does not enter into the details of
the rhythm of the verse, except by pointing out the two-beat cadence
of each section. Somewhat later, W. Wackernagel[41] declared himself
in favour of the two-beat theory for all Teutonic alliterative verse.
In every hemistich of the verse there are according to Wackernagel two
syllables with a grammatical or logical emphasis, and consequently a
strong accent, the number of less strongly accented syllables not being
fixed. The two-beat theory was again ably supported by F. Vetter[42]
and by K. Hildebrand, who approached the subject by a study of the Old
Norse alliterative verse,[43] and by M. Rieger in his instructive essay
on Old Saxon and Old English versification.[44] In this essay Rieger
pointed out the rules prevailing in the poetry of those two closely
related Teutonic nations, dealt with the distribution and quality of the
alliteration, the relation of the alliteration to the noun, adjective,
and verb, and to the order of words, with the caesura and the close of
the verse, and, finally, with the question of the accented syllables and
the limits of the use of unaccented syllables.[45] Other scholars, as
Horn, Ries, and Sievers, contributed further elucidations of the details
of this metre on the basis of Rieger's researches.[46]
Public-domain text, read in full here on John Shaqi.
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