It might have been expected, nevertheless, that these dialects would
have become the vehicles of popular legend and poetry, and that, as
anciently in Greece, a literature would at length have been evolved
from the tales of the story-tellers and the songs of the minstrels. The
very existence of vernacular minstrels and story-tellers is but matter
of inference, the little which we possess in any sense referable to
this department being in Latin. The instances laboriously accumulated
by Rubieri to prove the existence of popular poetry throughout the Dark
Ages seem to be all in this language; and centuries pass without any
indication that the ancestors of Dante thought it possible to write in
any other, and scarcely any that they cared for written composition at
all, except as a medium for instruction in such knowledge as the age
possessed, and the transaction of the ordinary business of life. The
symptoms of vitality became more evident after the Christian world had
turned the corner of its first millennium. The eleventh century was in
Italy an age of eminent theologians; it also beheld the musical reforms
of Guido of Arezzo; and towards its conclusion poets of some note arose
to chant in Latin hexameters the triumphs of Genoa and Pisa over the
Saracens. Still, although, as has been well remarked, the enthusiasm
for the Crusades excited by itinerant preachers goes far to prove that
public addresses were delivered in the popular dialects, there is not a
trace of any written Italian language, or a hint of any such vernacular
literature as existed, if it hardly flourished, among the Germans, the
French, and the Anglo-Saxons. When at length in the twelfth century
Poetry unmistakably presents herself in the songs of the wandering
students (_Goliardi_), her attire is still Latin. But it was much
that any class of society should now be making its own songs, and the
transition to a vernacular lyric was not long or difficult, although,
instead of taking birth among the people, it was fostered into life by
the patronage of Courts.
Public-domain text, read in full here on John Shaqi.
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