From the last half of the 16th Century down to the Revolution of 1789, possibly the most extraordinary funeral recorded in history was that of the Emperor Charles V. It was celebrated with almost identical pomp simultaneously, at Madrid and at Brussels. The procession at Brussels took six hours to pass any one point, and it is estimated that 80,000 persons walked in it, the participants being supplied from every city of Belgium and Holland. In this extraordinary function figured cars on floats, representing certain striking events in the life of the Emperor, and one of these we reproduce, since it will best afford an idea of the supreme magnificence of the spectacle. It represents a ship, and is intended to illustrate the maritime progress made in the reign of this enterprising monarch. The float on which this clever model of a vessel of the period was arranged was dragged through the streets by 24 black horses, covered with black velvet, and followed by representatives of the navies both of Belgium and Spain, and by some 300 lads dressed as sailors of all nations. [Illustration: FIG. 40.--_Float carried in the Funeral Procession of Charles V. at Brussels, December 29, 1558, and intended to illustrate his maritime greatness. The vessel was the size of a real ship, and the persons who appear upon its deck were living._--From the "Magnificent and Sumptuous Funeral of the Very Great Emperor Charles V." (Antwerp, published by Plantin, 1559.) Collection of M. RUGGIERI, Paris.] We also reproduce a little sketch from the funeral procession of Philip II., son of Charles V., which gives us an excellent idea of the costumes worn on such an important occasion. The large full-page engraving represents a portion of the funeral procession which took place at Brussels, of the Archduke Albert VII. of Austria, surnamed "the Pious." It was almost as sumptuous as that of Charles V., and, fortunately a complete record of it has been preserved by Francovoart, who published a book in the following year, containing no less than 49 plates illustrating this pageantic procession, which was of enormous length, and must have cost a great sum of money. The great engraver Cochin has left us one of his most beautiful plates, representing the interior of the Church of Notre Dame as arranged for the funeral of the Infanta Theresa of Spain, Dauphiness of France, in 1746. It gives us rather the idea of a scene in a court ball-room than of a grave ceremony. Literally, thousands of lights blazed in all directions, and there was nothing of a sombre character present, excepting the catafalque, which was of black velvet, and in a certain sense produced an admirable effect by showing off to still greater advantage the illuminations. The funeral of Louis XIV., was fabulously gorgeous, and so complete an apotheosis of that vain monarch, it brought about a sort of reaction, and made most persons observe that it was of little use