primitive hoard which must have been made by but two or three members of this family may serve as an index of the extent to which this particular form of the passion for display had influenced the minds and practice of the better-class Romans of the day. There were other objects, valued for their intrinsic worth as much as for the distinction conveyed by their possession, which attracted the ambition and strained the revenues of the fashionable man. Works of art must once have been cheap on the Roman market; for, even if we refuse to credit the story of Mummius' estimate of the prize which fallen Corinth had delivered into his hands,[48] yet the transhipment of cargoes of the priceless treasures to Rome is at least an historic fact, and the Gracchi must themselves have seen the trains of wagons bearing their precious freight along the Via Sacra to the Capitol. The spoils of the generous conqueror were lent to adorn the triumphs, the public buildings and even the private houses, of others; but much that had been yielded by Corinth had become the property neither of the general nor of the State. Polybius had seen the Roman legionaries playing at draughts on the Dionysus of Aristeides and many another famous canvas which had been torn from its place and thrown as a carpet upon the ground;[49] but many a camp follower must have had a better estimate of the material value of the paintings of the Hellenic masters, and the cupidity of the Roman collector must often have been satisfied at no great cost to his resources. The extent to which a returning army could disseminate its acquired tastes and distribute its captured goods had been shown some forty years before the fall of Corinth when Manlius brought his legions back from the first exploration of the rich cities of Asia. Things and names, of which the Roman had never dreamed, soon gratified the eye and struck the ear with a familiar sound. He learnt to love the bronze couches meant for the dining hall, the slender side tables with the strange foreign name, the delicate tissues woven to form the hangings of the bed or litter, the notes struck from the psalter and the harp by the fingers of the dancing-women of the East.[50] This was the first irruption of the efflorescent luxury of Eastern Hellenism; but some five-and-twenty years before this date Rome had received her first experience of the purer taste of the Greek genius in the West. The whole series of the acts of artistic vandalism which marked the footsteps of the conquering state could be traced back to the measures taken by Claudius Marcellus after the fall of Syracuse. The systematic plunder of works of art was for the first time given an official sanction, and the public edifices of Rome were by no means the sole beneficiaries of this new interpretation of the rights of war. Much of the valuable plunder had found its way into private houses,[51] to stimulate the envious cupidity of many a future governor who, cursed with the taste of a