A History of Sanskrit LiteratureMacdonell, Arthur Anthony
History
A History of Sanskrit Literature
Macdonell, Arthur Anthony
Sanskrit literature -- History and criticism
Hero, valiant, knowing duty,
To honour faithful, lord of earth,
If thou art within this forest,
Then show thee in thy proper form.
Shall I hear the voice of Nala,
Sweet as the draught of Amrita,
With its deep and gentle accent,
Like rumble of the thunder-cloud,
Saying "Daughter of Vidarbha!"
To me with clear and blessed sound.
Rich, like Vedas murmured flowing,
At once destroying all my grief?
There are graphic descriptions of the beauties and terrors of the
tropical forest in which Damayanti wanders. At last she finds her
way back to her father's court at Kundina Many and striking are the
similes with which the poet dwells on the grief and wasted form of
the princess in her separation from her husband. She is
Like the young moon's slender crescent
Obscured by black clouds in the sky;
Like the lotus-flower uprooted,
All parched and withered by the sun;
Like the pallid night, when Rahu
Has swallowed up the darkened moon.
Nala, meanwhile, transformed into a dwarf, has become charioteer to
the king of Oudh. Damayanti at last hears news leading her to suspect
her husband's whereabouts. She accordingly holds out hopes of her
hand to the king of Oudh, on condition of his driving the distance of
500 miles to Kundina in a single day. Nala, acting as his charioteer,
accomplishes the feat, and is rewarded by the king with the secret of
the highest skill in dicing. Recognised by his wife in spite of his
disguise, he regains his true form. He plays again, and wins back his
lost kingdom. Thus after years of adventure, sorrow, and humiliation
he is at last reunited with Damayanti, with whom he spends the rest
of his days in happiness.
Though several supernatural and miraculous features like those which
occur in fairy tales are found in the episode of Nala, they are not
sufficient to mar the spirit of true poetry which pervades the story
as a whole.
THE PURANAS.
Public-domain text, read in full here on John Shaqi.
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