A history of the Japanese people : $b from the earliest times to the end of the Meiji era — John Shaqi
A history of the Japanese people : $b from the earliest times to the end of the Meiji eraBrinkley, F. (Frank)
History
A history of the Japanese people : $b from the earliest times to the end of the Meiji era
Brinkley, F. (Frank)
Japan -- Civilization; Japan -- History
But the last three of these newly created beings act a prominent part
in the sequel of the story. They are the "heaven-shining Kami"
(Amaterasu-o-mi-Kami), commonly spoken of as the "goddess of the
Sun;" the Kami of the Moon, and the Kami of force.* Izanagi expresses
much satisfaction at the begetting of these three. He hands his
necklace to the Kami of the Sun and commissions her to rule the
"plain of heaven;" he confers upon the Kami of the Moon the dominion
of night, and he appoints the Kami of force (Susanoo) to rule the
sea-plain. The Kami of the Sun and the Kami of the Moon proceed at
once to their appointed task, but the Kami of force, though of mature
age and wearing a long beard, neglects his duty and falls to weeping,
wailing, and fuming. Izanagi inquires the cause of his discontent,
and the disobedient Kami replies that he prefers death to the office
assigned him; whereupon he is forbidden to dwell in the same land
with Izanagi and has to make his abode in Omi province. Then he forms
the idea of visiting the "plain of high heaven" to bid farewell to
his sister, the goddess of the Sun.
*Mr. Chamberlain translates the title of this Kami "brave, swift,
impetuous, male, augustness."
But his journey is attended with such a shaking of mountains and
seething of rivers that the goddess, informed of his recalcitrancy
and distrusting his purpose, makes preparations to receive him in
warlike guise, by dressing her hair in male fashion (i.e. binding it
into knots), by tying up her skirt into the shape of trousers, by
winding a string of five hundred curved jewels round her head and
wrists, by slinging on her back two quivers containing a thousand
arrows and five hundred arrows respectively, by drawing a guard on
her left forearm, and by providing herself with a bow and a sword.
Public-domain text, read in full here on John Shaqi.
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