A history of the Japanese people : $b from the earliest times to the end of the Meiji eraBrinkley, F. (Frank)
History
A history of the Japanese people : $b from the earliest times to the end of the Meiji era
Brinkley, F. (Frank)
Japan -- Civilization; Japan -- History
The Records and the Chronicles agree in ascribing to her such an
exercise of resolute force that she stamps her feet into the ground
as though it had been soft snow and scatters the earth about.
Susanoo, however, disavows all evil intentions, and agrees to prove
his sincerity by taking an oath and engaging in a Kami-producing
competition, the condition being that if his offspring be female, the
fact shall bear condemnatory import, but if male, the verdict shall
be in his favour. For the purpose of this trial, they stand on
opposite sides of a river (the Milky Way). Susanoo hands his sword to
Amaterasu-o-mi-Kami, who breaks it into three pieces, chews the
fragments, and blowing them from her mouth, produces three female
Kami. She then lends her string of five hundred jewels to Susanoo
and, he, in turn, crunches them in his mouth and blows out the
fragments which are transformed into five male Kami. The beings thus
strangely produced have comparatively close connexions with the
mundane scheme, for the three female Kami--euphoniously designated
Kami of the torrent mist, Kami of the beautiful island, and Kami of
the cascade--become tutelary goddesses of the shrines in Chikuzen
province (or the sacred island Itsuku-shima), and two of the male
Kami become ancestors of seven and twelve families, respectively, of
hereditary nobles.
On the "high plain of heaven," however, trouble is not allayed. The
Sun goddess judges that since female Kami were produced from the
fragments of Susanoo's sword and male Kami from her own string of
jewels, the test which he himself proposed has resulted in his
conviction; but he, repudiating that verdict, proceeds to break down
the divisions of the rice-fields laid out by the goddess, to fill up
the ditches, and to defile the palace--details which suggest either
that, according to Japanese tradition, heaven has its agriculture and
architecture just as earth has, or that the "plain of high heaven"
was really the name of a place in the Far East. The Sun goddess makes
various excuses for her brother's lawless conduct, but he is not to
be placated. His next exploit is to flay a piebald horse and throw it
through a hole which he breaks in the roof of the hall where the
goddess is weaving garments for the Kami. In the alarm thus created,
the goddess* is wounded by her shuttle, whereupon she retires into a
cave and places a rock at the entrance, so that darkness falls upon
the "plain of high heaven" and upon the islands of Japan,** to the
consternation of the Kami of evil, whose voices are heard like the
buzzing of swarms of flies.
*According to the Records, it is the attendants of the goddess that
suffer injury.
Public-domain text, read in full here on John Shaqi.
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