But on entering this study now I thought of none of all these
wonders; my uncle alone filled my thoughts. He had thrown himself
into a velvet easy-chair, and was grasping between his hands a book
over which he bent, pondering with intense admiration.
"Here's a remarkable book! What a wonderful book!" he was exclaiming.
These ejaculations brought to my mind the fact that my uncle was
liable to occasional fits of bibliomania; but no old book had any
value in his eyes unless it had the virtue of being nowhere else to
be found, or, at any rate, of being illegible.
"Well, now; don't you see it yet? Why I have got a priceless
treasure, that I found his morning, in rummaging in old Hevelius's
shop, the Jew."
"Magnificent!" I replied, with a good imitation of enthusiasm.
What was the good of all this fuss about an old quarto, bound in
rough calf, a yellow, faded volume, with a ragged seal depending from
it?
But for all that there was no lull yet in the admiring exclamations
of the Professor.
"See," he went on, both asking the questions and supplying the
answers. "Isn't it a beauty? Yes; splendid! Did you ever see such a
binding? Doesn't the book open easily? Yes; it stops open anywhere.
But does it shut equally well? Yes; for the binding and the leaves
are flush, all in a straight line, and no gaps or openings anywhere.
And look at its back, after seven hundred years. Why, Bozerian,
Closs, or Purgold might have been proud of such a binding!"
While rapidly making these comments my uncle kept opening and
shutting the old tome. I really could do no less than ask a question
about its contents, although I did not feel the slightest interest.
"And what is the title of this marvellous work?" I asked with an
affected eagerness which he must have been very blind not to see
through.
"This work," replied my uncle, firing up with renewed enthusiasm,
"this work is the Heims Kringla of Snorre Turlleson, the most famous
Icelandic author of the twelfth century! It is the chronicle of the
Norwegian princes who ruled in Iceland."
"Indeed;" I cried, keeping up wonderfully, "of course it is a German
translation?"
"What!" sharply replied the Professor, "a translation! What should I
do with a translation? This _is_ the Icelandic original, in the
magnificent idiomatic vernacular, which is both rich and simple, and
admits of an infinite variety of grammatical combinations and verbal
modifications."
"Like German." I happily ventured.
"Yes," replied my uncle, shrugging his shoulders; "but, in addition
to all this, the Icelandic has three numbers like the Greek, and
irregular declensions of nouns proper like the Latin."
"Ah!" said I, a little moved out of my indifference; "and is the type
good?"
"Type! What do you mean by talking of type, wretched Axel? Type! Do
you take it for a printed book, you ignorant fool? It is a
manuscript, a Runic manuscript."
"Runic?"
"Yes. Do you want me to explain what that is?"
Public-domain text, read in full here on John Shaqi.
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