"Of course not," I replied in the tone of an injured man. But my
uncle persevered, and told me, against my will, of many things I
cared nothing about.
"Runic characters were in use in Iceland in former ages. They were
invented, it is said, by Odin himself. Look there, and wonder,
impious young man, and admire these letters, the invention of the
Scandinavian god!"
Well, well! not knowing what to say, I was going to prostrate myself
before this wonderful book, a way of answering equally pleasing to
gods and kings, and which has the advantage of never giving them any
embarrassment, when a little incident happened to divert conversation
into another channel.
This was the appearance of a dirty slip of parchment, which slipped
out of the volume and fell upon the floor.
My uncle pounced upon this shred with incredible avidity. An old
document, enclosed an immemorial time within the folds of this old
book, had for him an immeasurable value.
"What's this?" he cried.
And he laid out upon the table a piece of parchment, five inches by
three, and along which were traced certain mysterious characters.
Here is the exact facsimile. I think it important to let these
strange signs be publicly known, for they were the means of drawing
on Professor Liedenbrock and his nephew to undertake the most
wonderful expedition of the nineteenth century.
[Runic glyphs occur here]
The Professor mused a few moments over this series of characters;
then raising his spectacles he pronounced:
"These are Runic letters; they are exactly like those of the
manuscript of Snorre Turlleson. But, what on earth is their meaning?"
Runic letters appearing to my mind to be an invention of the learned
to mystify this poor world, I was not sorry to see my uncle suffering
the pangs of mystification. At least, so it seemed to me, judging
from his fingers, which were beginning to work with terrible energy.
"It is certainly old Icelandic," he muttered between his teeth.
And Professor Liedenbrock must have known, for he was acknowledged to
be quite a polyglot. Not that he could speak fluently in the two
thousand languages and twelve thousand dialects which are spoken on
the earth, but he knew at least his share of them.
So he was going, in the presence of this difficulty, to give way to
all the impetuosity of his character, and I was preparing for a
violent outbreak, when two o'clock struck by the little timepiece
over the fireplace.
At that moment our good housekeeper Martha opened the study door,
saying:
"Dinner is ready!"
I am afraid he sent that soup to where it would boil away to nothing,
and Martha took to her heels for safety. I followed her, and hardly
knowing how I got there I found myself seated in my usual place.
Public-domain text, read in full here on John Shaqi.
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