A Key to Uncle Tom's Cabin: Presenting the original facts and documents upon which the story is founded. Together with corroborative statements verifying the truth of the work. — John Shaqi
A Key to Uncle Tom's Cabin: Presenting the original facts and documents upon which the story is founded. Together with corroborative statements verifying the truth of the work.Stowe, Harriet Beecher
History
A Key to Uncle Tom's Cabin: Presenting the original facts and documents upon which the story is founded. Together with corroborative statements verifying the truth of the work.
Stowe, Harriet Beecher
Enslaved persons -- United States -- Social conditions; Literature and society -- United States -- History -- 19th century; Political fiction -- Sources; Stowe, Harriet Beecher, 1811-1896. Uncle Tom's cabin -- Sources; Uncle Tom (Fictitious character)
If a mother has among her children one whom sickness has made blind, or
deaf, or dumb, incapable of acquiring knowledge through the usual
channels of communication, does she not seek to reach its darkened mind
by modes of communication tenderer and more intimate than those which
she uses with the stronger and more favored ones? But can the love of
any mother be compared with the infinite love of Jesus? Has He not
described himself as that good Shepherd who leaves the whole flock of
secure and well-instructed ones, to follow over the mountains of sin and
ignorance the one lost sheep; and, when He hath found it, rejoicing more
over that one than over the ninety and nine that went not astray? Has He
not told us that each of these little ones has a guardian angel that
doth always behold the face of his Father which is in heaven? And is it
not comforting to us to think that His love and care will be in
proportion to the ignorance and the wants of His chosen ones?
* * * * *
Since the above was prepared for the press the author has received the
following extract from a letter written by a gentleman in Missouri to
the editor of the _Oberlin_ (Ohio) _Evangelist_:
I really thought, while reading “Uncle Tom’s Cabin,” that the
authoress, when describing the character of Tom, had in her mind’s
eye a slave whose acquaintance I made some years since, in the State
of Mississippi, called “Uncle Jacob.” I was staying a day or two
with a planter, and in the evening, when out in the yard, I heard a
well-known hymn and tune sung in one of the “quarters,” and then the
voice of prayer; and O, _such_ a prayer! what fervor, what
unction,—nay, the man “prayed right up;” and when I read of Uncle
Tom, how “nothing could exceed the touching simplicity, the
childlike earnestness, of his prayer, enriched with the language of
Scripture, which seemed so entirely to have wrought itself into his
being as to have become a part of himself,” the recollections of
that evening prayer were strangely vivid. On entering the house and
referring to what I had heard, his master replied, “Ah, sir, if I
covet anything in this world, it is Uncle Jacob’s religion. If there
is a good man on earth, he certainly is one.” He said Uncle Jacob
was a regulator on the plantation; that a _word_ or a _look_ from
him, addressed to younger slaves, had more efficacy than a _blow_
from the overseer.
Public-domain text, read in full here on John Shaqi.
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