A kiss for Cinderella: A comedyBarrie, J. M. (James Matthew)
General
A kiss for Cinderella: A comedy
Barrie, J. M. (James Matthew)
Comedy plays; Fantasy drama; London (England) -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Drama
POLICEMAN (_cunningly_). Hereabouts they are; but there’s great
doings in the fashionable quarters. A ball, I’m told.
CINDERELLA (_gasping_). You didn’t see no peculiar person about in
this street?
POLICEMAN. How peculiar?
CINDERELLA. Like a—a flunkey?
POLICEMAN. Did I now—or did I not?
CINDERELLA (_eagerly_). He would be carrying an invite maybe; it’s
a big card.
POLICEMAN. I can’t say I saw him.
(_Here an astonishing thing happens. The head of a child
rises from one of the boxes. She is unseen by either of the
mortals._)
CINDERELLA (_considering the beard_). How do I start with the like
of this?
POLICEMAN. First you saws....
(_She attempts to saw. The beard comes off in her hand._)
CINDERELLA (_recognising his face_). You!
POLICEMAN (_stepping triumphantly out of his disguise_). Me!
(_As sometimes happens, however, the one who means to
give the surprise gets a greater. At sight of his dreaded
uniform the child screams, whereat two other children in
other boxes bob up and scream also. It is some time before
the policeman can speak._)
So that’s what the boxes was for!
CINDERELLA (_feebly_). Yes.
POLICEMAN (_portentously_). Who and what are these phenomenons?
CINDERELLA (_protectingly_). Don’t be frightened, children. Down!
(_They disappear obediently._)
There’s no wrong in it. They’re just me trying to do my bit. It’s
said all should do their bit in war-time. It was into a hospital
I wanted to go to nurse the wounded soldiers. I offered myself
at every hospital door, but none would have me, so this was all I
could do.
POLICEMAN. You’re taking care of them?
(_She nods._)
Sounds all right. Neighbours’ children?
CINDERELLA. The brown box is. She’s half of an orphan, her father’s
a bluejacket, so, of course, I said I would.
POLICEMAN. You need say no more. I pass little bluejacket.
CINDERELLA. Those other two is allies. She’s French—and her’s a
Belgy—(_calls_). Marie-Therese.
(_The French child sits up._)
Speak your language to the gentleman, Marie-Therese.
MARIE. Bon soir, monsieur—comment portez-vous? Je t’aime. (_She
curtseys charmingly to him from the box._)
POLICEMAN. Well, I’m ——d!
CINDERELLA. Delphine.
(_The Belgian looks up._)
Make votre bow.
Gladys!
(_The English child bobs up._)
A friend, Gladys.
(GLADYS _and the policeman grin to each other_.)
GLADYS. What cheer!
CINDERELLA. Monsieur is a Britain’s defender.
MARIE. Oh, la, la! Parlez-vous français, monsieur? Non! I blow you
two kisses, monsieur—the one is to you (_kisses hand_) to keep, the
other you will give—(_kisses hand_) to Kitch.
POLICEMAN (_writing_). Sends kiss to Lord Kitchener.
CINDERELLA. She’s the one that does most of the talking.
POLICEMAN (_who is getting friendly_). I suppose that other box is
an empty.
(CINDERELLA’S _mouth closes_.)
Is that box empty?
CINDERELLA. It’s not exactly empty.
POLICEMAN. What’s inside?
CINDERELLA. She’s the littlest.
Public-domain text, read in full here on John Shaqi.
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