A kiss for Cinderella: A comedyBarrie, J. M. (James Matthew)
General
A kiss for Cinderella: A comedy
Barrie, J. M. (James Matthew)
Comedy plays; Fantasy drama; London (England) -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Drama
(_The children exchange glances and she is severe._)
Couchy.
(_They disappear._)
POLICEMAN. An ally?
CINDERELLA. She’s—she’s—Swiss.
POLICEMAN (_lowering_). Now then!
CINDERELLA. She’s not exactly Swiss. You can guess now what she is.
POLICEMAN (_grave_). This puts me in a very difficult position.
CINDERELLA (_beginning to cry_). Nobody would take her. She was
left over. I tried not to take her. I’m a patriot, I am. But there
she was—left over—and her so terrible little—I couldn’t help taking
her.
POLICEMAN. I dunno. (_Quite unfairly._) If her folk had been in
your place and you in hers, they would have shown neither mercy nor
pity for you.
CINDERELLA (_stoutly_). That makes no difference.
POLICEMAN (_Was this the great moment?_). I think there’s something
uncommon about you.
CINDERELLA (_pleased_). About _me_?
POLICEMAN. I suppose she’s sleeping.
CINDERELLA. Not her!
POLICEMAN. What’s she doing?
CINDERELLA. She’s strafing!
POLICEMAN. Who’s she strafing?
CINDERELLA. Very likely you. She misses nobody. You see I’ve put
some barb-wire round her box.
POLICEMAN. I see now.
CINDERELLA. It’s not really barb-wire. It’s worsted. I was feared
the wire would hurt her. But it just makes a difference.
POLICEMAN. How do the others get on with her?
CINDERELLA. I makes them get on with her. Of course there’s tongues
out, and little things like that.
POLICEMAN. Were the foreign children shy of you at first?
CINDERELLA. Not as soon as they heard my name. ‘Oh, are you
Cinderella?’ they said, in their various languages—and ‘when’s the
ball?’ they said.
POLICEMAN. Somebody must have telled them about you.
CINDERELLA (_happy_). Not here. They had heard about me in their
foreign lands. Everybody knows Cinderella, it’s fine. Even
her—(_indicating German_) the moment I mentioned my name—‘Where’s
your ugly sisters?’ says she, looking round.
POLICEMAN. Sisters? It’s new to me, your having sisters. (_He
produces his note book._)
CINDERELLA (_uneasily_). It’s kind of staggering to me, too. I
haven’t been able to manage them yet, but they’ll be at the ball.
POLICEMAN. It’s queer.
CINDERELLA. It _is_ queer.
POLICEMAN. (_sitting down with her_). How do you know this ball’s
to-night?
CINDERELLA. It had to be some night. You see, after I closes my
business I have chats with the children about things, and naturally
it’s mostly about the ball. I put it off as long as I could, but it
had to be some night—and this is the night.
POLICEMAN. You mean it’s make-believe?
CINDERELLA (_almost fiercely_). None of that!
POLICEMAN (_shaking his head_). I don’t like it.
CINDERELLA (_shining_). You wouldn’t say that if you heard the
blasts on the trumpet and loud roars of ‘Make way for the Lady
Cinderella!’
(_Three heads pop up again._)
POLICEMAN. Lady?
Public-domain text, read in full here on John Shaqi.
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