A kiss for Cinderella: A comedyBarrie, J. M. (James Matthew)
General
A kiss for Cinderella: A comedy
Barrie, J. M. (James Matthew)
Comedy plays; Fantasy drama; London (England) -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Drama
_Nearly everything in the ball-room is of gold: it was
only with an effort that she checked herself from dabbing
gold on the regal countenances. You can see that she has
not passed by gin-palaces without thinking about them.
The walls and furniture are so golden that you have but
to lean against them to acquire a competency. There is a
golden throne with gold cloths on it, and the royal seats
are three golden rocking chairs; there would be a fourth
golden rocking chair if it were not that_ CINDERELLA _does
not want you to guess where she is to sit. These chairs
are stuffed to a golden corpulency. The panoply of the
throne is about twenty feet high—each foot of pure gold;
and nested on the top of it is a golden reproduction of
the grandest thing_ CINDERELLA _has ever seen—the private
box of a theatre. In this box sit, wriggle, and sprawl
the four children in their nightgowns, leaning over the
golden parapet as if to the manner born and carelessly
kicking nuggets out of it. They are shouting, pointing, and
otherwise behaving badly, eating oranges out of paper bags,
then blowing out the bags and bursting them. The superb
scene is lit by four street lamps with red glass. Dancing
is going on: the ladies all in white, the gentlemen in
black with swords. If you were unused to royal balls you
would think every one of these people was worth describing
separately; but, compared to what is coming, it may be said
that_ CINDERELLA _has merely pushed them on with her lovely
foot. They are her idea of courtiers, and have anxious
expressions as if they knew she was watching them. They
have character in the lump, if we may put it that way,
but none individually. Thus one cannot smile or sigh, for
instance, without all the others smiling or sighing. At
night they probably sleep in two large beds, one for ladies
and one for gentlemen, and if one of the ladies, say, wants
to turn round, she gives the signal, and they all turn
simultaneously. As children they were not like this; they
had genuine personal traits, but these have gradually been
blotted out as they basked in royal favour; thus, if the_
KING _wipes his glasses they all pretend that their glasses
need wiping, and when the_ QUEEN _lets her handkerchief
fall they all stoop loyally to pick up their own_.
_Down the golden steps at the back comes the_ LORD MAYOR,
_easily recognisable by his enormous chain_.)
LORD MAYOR. O yes, O yes, make way everyone for the Lord
Mayor—namely myself.
(_They all make way for him. Two black boys fling open
lovely curtains._)
O yes, O yes, make way every one, and also myself, for Lord Times.
Public-domain text, read in full here on John Shaqi.
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