A kiss for Cinderella: A comedyBarrie, J. M. (James Matthew)
General
A kiss for Cinderella: A comedy
Barrie, J. M. (James Matthew)
Comedy plays; Fantasy drama; London (England) -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Drama
(DANNY _is going thankfully, but she suddenly pulls him
forward to examine his face_.)
No. 7, you are wearing that brown eye again.
DANNY (_who has a glass eye_). Yes, Doctor—you see it’s like this.
First they sent me a brown eye. Then some meddlesome person finds
out my natural eye is blue. So then they sends me a blue eye.
DOCTOR. Yes, where is it?
DANNY. It was a beautiful eye, Doctor—but I had taken a fancy to
little browny. And I have a young lady; so I took the liberty of
having the blue eye made up into a brooch and I sent it to her.
DR. BODIE (_without moving a muscle_). I shall report you.
BODIE (_when the martinet and Danny have gone_). Are you afraid of
her, Cinderella? I am.
CINDERELLA. No! She sometimes dashes me, but she is a fearful
kind lady. (_She pulls him down again for further important
revelations._) She’s very particular about her feet.
BODIE (_staggered_). Is she! In a feminine way?
CINDERELLA. Yes.
BODIE. Hurray! Then I have her. The Achilles Heel! (_He is once
more jerked down._)
CINDERELLA. I have a spring bed.
BODIE. Ah!
CINDERELLA (_in some awe_). The first time I woke in hospital, an
angel with streamers was standing there holding a tray in her hand,
and on the tray was a boiled egg. Then I thought it was the egg you
get the day before you die.
BODIE. What egg is that?
CINDERELLA (_who in the course of a troubled life has acquired much
miscellaneous information_). In the Workhouse you always get an egg
to your tea the day before you die. (_She whispers._) I know now
I’m not the real Cinderella.
BODIE (_taking her hand_). How did you find out?
CINDERELLA (_gravely_). It’s come to me. The more I eat the
clearer I see things. I think it was just an idea of mine; being
lonely-like I needed to have something to hang on to.
BODIE. That was it. Are you sorry you’re not the other one?
CINDERELLA. I’m glad to be just myself. It’s a pity though about
the glass slippers. That’s a lovely idea.
BODIE. Yes.
CINDERELLA. Tell me about _Them_.
BODIE. The children? They’re still with me, of course. I’m keeping
my promise, and they will be with me till you are able to take
care of them again. I have them a great deal in the studio in the
day-time.
CINDERELLA (_cogitating_). I wonder if that’s wise.
BODIE. Oh, they don’t disturb me much.
CINDERELLA. I was meaning perhaps the smell of the paint would be
bad for them.
BODIE. I see! Of course I could give up painting!
CINDERELLA (_innocently_). I think that would be safest.
(MR. BODIE _kicks_.)
Are you kind to Gretchen?
BODIE. I hope so. I feel it’s my duty.
CINDERELLA (_with a sinking_). It’ll not be no use for Gretchen if
that’s how you do it. I’m sure I should get up. (_She attempts to
rise._)
BODIE. Now, now!
CINDERELLA. Are you fond of her, especially when she’s bad?
BODIE (_hurriedly_). Yes, I am, I am! But she’s never bad! they are
all good, they are like angels.
CINDERELLA (_despairing_). Then they’re cheating you. Where’s my
boots?
Public-domain text, read in full here on John Shaqi.
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