American fiction -- 19th century; Manners and customs -- Fiction
_July 12th._--We have been having a week of bad weather: constant rain,
night and day. This is certainly at once the brightest and the blackest
spot in New England. The skies can smile, assuredly; but how they can
frown! I have been painting rather languidly, and at a great
disadvantage, at my window.... Through all this pouring and pattering,
Miss Blunt sallies forth to her pupils. She envelops her beautiful head
in a great woollen hood, her beautiful figure in a kind of feminine
mackintosh; her feet she puts into heavy clogs, and over the whole she
balances a cotton umbrella. When she comes home, with the rain-drops
glistening on her red cheeks and her dark lashes, her cloak bespattered
with mud, and her hands red with the cool damp, she is a profoundly
wholesome spectacle. I never fail to make her a very low bow, for which
she repays me with an extraordinary smile. This working-day side of her
character is what especially pleases me in Miss Blunt. This holy
working-dress of loveliness and dignity sits upon her with the
simplicity of an antique drapery. Little use has she for whalebones and
furbelows. What a poetry there is, after all, in red hands! I kiss
yours, Mademoiselle. I do so because you are self-helpful; because you
earn your living; because you are honest, simple, and ignorant (for a
sensible woman, that is); because you speak and act to the point;
because, in short, you are so unlike--certain of your sisters.
_July 16th._--On Monday it cleared up generously. When I went to my
window, on rising, I found sky and sea looking, for their brightness and
freshness, like a clever English water-color. The ocean is of a deep
purple blue; above it, the pure, bright sky looks pale, though it bends
with an infinite depth over the inland horizon. Here and there on the
dark breezy water gleams the white cap of a wave, or flaps the white
cloak of a fishing-boat. I have been sketching sedulously; I have
discovered, within a couple of miles, walk, a large, lonely pond, set in
quite a grand landscape of barren rocks and grassy slopes. At one
extremity is a broad outlook on the open sea; at the other, deep buried
in the foliage of an apple-orchard, stands an old haunted-looking
farmhouse. To the west of the pond is a wide expanse of rock and grass,
of beach and marsh. The sheep browse over it as upon a Highland moor.
Except a few stunted firs and cedars, there is not a tree in sight. When
I want shade, I seek it in the shelter of one of the great mossy
boulders which upheave their scintillating shoulders to the sun, or of
the long shallow dells where a tangle of blackberry-bushes hedges about a
sky-reflecting pool. I have encamped over against a plain, brown
hillside, which, with laborious patience, I am transferring to canvas;
and as we have now had the same clear sky for several days, I have
almost finished quite a satisfactory little study. I go forth
immediately after breakfast. Miss Blunt furnishes me with a napkin full
Public-domain text, read in full here on John Shaqi.
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