American fiction -- 19th century; Manners and customs -- Fiction
When the manuscript was received at the office of the _Atlantic_, Fields
submitted it to Howells for his opinion. Howells read it, and when asked
whether he would accept it, he replied, "Yes, and all the stories you
can get from that writer." "One is much securer of one's judgment,"
writes Howells, "at twenty-nine than, say, at forty-five; but if there
was a mistake, I am not yet old enough to regret it. The story was
called 'Poor Richard' and it dealt with the conscience of a man very
much in love with a woman who loved his rival. He told the rival a lie,
which sent him away to his death on the field, but poor Richard's lie
did not win his love. It seems to me that the situation was strongly and
finely felt. One's pity went, as it should, with the liar; but the whole
story has a pathos which lingers in my mind equally with a sense of the
new literary qualities which gave me much delight in it."
The final story of this volume, "A Most Extraordinary Case," was first
published in the _Atlantic Monthly_ for April, 1868, when Howells was
still on the editorial staff.
I am sure these first efforts of James' pen will be welcomed by his
American admirers. They are in every way worthy of James at his best,
and so worthy of being preserved. The only regret the reader may feel is
that the author should in his later works have seen fit to adopt an
elaborate, complex and often obscure style, instead of clinging to
simple, natural language, of which these stories show him to be such a
master.
ALBERT MORDELL.
Philadelphia, July 10, 1919.
I
A LANDSCAPE
PAINTER
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account