American fiction -- 19th century; Manners and customs -- Fiction
Do you remember how, a dozen years ago, a number of our friends were
startled by the report of the rupture of young Locksley's engagement
with Miss Leary? This event made some noise in its day. Both parties
possessed certain claims to distinction: Locksley in his wealth, which
was believed to be enormous, and the young lady in her beauty, which was
in truth very great. I used to hear that her lover was fond of comparing
her to the Venus of Milo; and, indeed, if you can imagine the mutilated
goddess with her full complement of limbs, dressed out by Madame de
Crinoline, and engaged in small talk beneath the drawing-room
chandelier, you may obtain a vague notion of Miss Josephine Leary.
Locksley, you remember, was rather a short man, dark, and not
particularly good-looking; and when he walked about with his betrothed,
it was half a matter of surprise that he should have ventured to propose
to a young lady of such heroic proportions. Miss Leary had the gray eyes
and auburn hair which I have always assigned to the famous statue. The
one defect in her face, in spite of an expression of great candor and
sweetness, was a certain lack of animation. What it was besides her
beauty that attracted Locksley I never discovered: perhaps, since his
attachment was so short-lived, it was her beauty alone. I say that his
attachment was of brief duration, because the rupture was understood to
have come from him. Both he and Miss Leary very wisely held their
tongues on the matter; but among their friends and enemies it of course
received a hundred explanations. That most popular with Locksley's
well-wishers was that he had backed out (these events are discussed, you
know, in fashionable circles very much as an expected prizefight which
has miscarried is canvassed in reunions of another kind) only on
flagrant evidence of the lady's--what, faithlessness?--on overwhelming
proof of the most _mercenary_ spirit on the part of Miss Leary. You see,
our friend was held capable of doing battle for an "idea." It must be
owned that this was a novel charge; but, for myself, having long known
Mrs. Leary, the mother, who was a widow with four daughters, to be an
inveterate old screw, I took the liberty of accrediting the existence of
a similar propensity in her eldest born. I suppose that the young lady's
family had, on their own side, a very plausible version of their
disappointment. It was, however, soon made up to them by Josephine's
marriage with a gentleman of expectations very nearly as brilliant as
those of her old suitor. And what was _his_ compensation? That is
precisely my story.
Public-domain text, read in full here on John Shaqi.
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