American fiction -- 19th century; Manners and customs -- Fiction
"Young man," said he, after taking several meditative puffs of his
cigar, "I don't see the point of your living in a tavern, when there are
folks about you with more house-room than they know what to do with. A
tavern is only half a house, just as one of these new-fashioned
screw-propellers is only half a ship. Suppose you walk round and take a
look at my place. I own quite a respectable house over yonder to the
left of the town. Do you see that old wharf with the tumble-down
warehouses, and the long row of elms behind it? I live right in the
midst of the elms. We have the dearest little garden in the world,
stretching down to the water's edge. It's all as quiet as anything can
be, short of a graveyard. The back windows, you know, overlook the
harbor; and you can see twenty miles up the bay, and fifty miles out to
sea. You can paint to yourself there the livelong day, with no more fear
of intrusion than if you were out yonder at the light-ship. There's no
one but myself and my daughter, who's a perfect lady, Sir. She teaches
music in a young ladies' school. You see, money's an object, as they
say. We have never taken boarders yet, because none came in our track;
but I guess we can learn the ways. I suppose you've boarded before; you
can put us up to a thing or two."
There was something so kindly and honest in the old man's weather-beaten
face, something so friendly in his address, that I forthwith struck a
bargain with him, subject to his daughter's approval. I am to have her
answer to-morrow. This same daughter strikes me as rather a dark spot in
the picture. Teacher in a young ladies' school,--probably the
establishment of which Mrs. M---- spoke to me. I suppose she's over
thirty. I think I know the species.
_June 12th_, A.M.--I have really nothing to do but to scribble. "Barkis
is willing." Captain Blunt brought me word this morning that his
daughter smiles propitious. I am to report this evening; but I shall
send my slender baggage in an hour or two.
Public-domain text, read in full here on John Shaqi.
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