A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacy — John Shaqi
A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacySpalding, William
General
A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacy
There are two cases, however, in which we have external presumptions to
proceed from; for there are traditions traceable to Shakspeare's own
time, or nearly so, of his having assisted in two plays, still known to
us, but never placed among his works. [Sidenote: Shakspere said
(absurdly) to have helpt in Ben Jonson's _Sejanus_.] The one, the
'Sejanus', in which Shakspeare is said to have assisted Jonson, was
re-written by the latter himself, and published as it now stands among
his writings, the part of the assistant poet having been entirely
omitted; so that the question as to that play, a very doubtful question,
is not important, and hardly even curious. But the other drama is in our
hands as it came from the closets of the poets, and, if Shakspeare's
partial authorship were established, ought to have a place among his
works. [Sidenote: _The Two Noble Kinsmen_ attributed to Shakspere and
Fletcher; and rightly so.] It is, as you know, THE TWO NOBLE KINSMEN,
printed among the works of Beaumont and Fletcher, and sometimes
attributed to SHAKSPEARE and FLETCHER jointly. I have been able to
satisfy myself that it is rightly so attributed, and hope to be able to
prove to you, who are intimately conversant with Shakspeare, and
familiar also with the writings of his supposed co-adjutor, that there
are good grounds for the opinion. [Sidenote: It is unjustly excluded
from _Shakspere's Works_.] The same conclusion has already been reached
by others; but the discussion of the question cannot be needless, so
long as this fine drama continues excluded from the received list of
Shakspeare's works; and while there is reason to believe that there are
many discerning students and zealous admirers of the poet, to whom it is
known only by name. The beauty of the work itself will make much of the
investigation delightful to you, even though my argument on it may seem
feeble and stale.
[Sidenote: I. Historical or External Evidence.]
[Sidenote: II. External Evidence, p. 10.]
The proof is, of course, two-fold; the first branch emerging [2:1]from
any records or memorials which throw light on the subject from without;
the second, from a consideration of the work itself, and a comparison of
its qualities with those of Shakspeare or Fletcher. You will keep in
mind, that it has not been doubted, and may be assumed, that Fletcher
had a share in the work; the only question is,--Whether Shakspeare
wrote any part of it, and what parts, if any?
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