A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacy — John Shaqi
A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacySpalding, William
General
A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacy
The Historical Evidence claims our attention in the first instance; but
in no question of literary genuineness is this the sort of proof which
yields the surest grounds of conviction. [Sidenote: I. External
Evidence.] Such questions arise only under circumstances in which the
external proof on either side is very weak, and the internal evidence
has therefore to be continually resorted to for supplying the defects of
the external. It is true that a complete proof of a work having been
actually written by a particular person, destroys any contrary
presumption from intrinsic marks; and, in like manner, when a train of
evidence is deduced, showing it to be impossible that a work could have
been written by a certain author, no internal likeness to other works of
his can in the least weaken the negative conclusion. [Sidenote:
Historical evidence cannot exclude internal, unless the former is
complete.] In either case, however, the historical evidence must be
incontrovertible, before it can exclude examination of the internal; and
the two cases are by no means equally frequent. It scarcely ever happens
that there is external evidence weighty enough to establish certainly,
of itself, an individual's authorship of a particular work; but the
external proof that his authorship was impossible, may often be
convincing and perfect, from an examination of dates, or the like.
Since, therefore, external evidence against authorship admits of
completeness, we are entitled, when such evidence exclusively is founded
on, to demand that it shall be complete. Where by the very narrowest
step it falls short of a demonstration of absolute impossibility, the
internal evidence cannot be refused admittance in contravention of it,
and comes in with far greater force than that of the other. There may be
cases where authorship can be made out to the highest degree, at least,
of probability, by strong internal evidence coming in aid of an external
proof equally balanced for and against; and even where the extrinsic
proof is of itself sufficient [3:1]to infer improbability, internal
marks may be so decided the opposite way, as to render the question
absolutely doubtful, or to occasion a leaning towards the affirmative
side. [Sidenote: Internal evidence the true test for _The Two N. K._]
These principles point out the internal evidence as the true ground on
which my cause must be contested; but it was not necessary to follow
them out to their full extent; for I can show you, that the external
facts which we have here, few as they are, raise a presumption in favour
of Shakspeare's authorship, as strong as exists in cases of more
practical importance, where its effect has never been questioned.
[Sidenote: _The Two N. K._ printed in 1634 as by Fletcher and
Shakspere.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account